OPENINGS:  By horror movie standards, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) didn’t collapse on Saturday (down 13%), and that propelled it to a very solid $29.3M weekend, which among horror product in that first-weekend-in-January slot puts it behind only The Devil Inside‘s $33.7M (by way of comparison, that one fell 30% on its Saturday).  Last […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is still -1% below last year and still +11% above the average for this point the […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +4% above last year and still +2% above the average for this point the past four years ($8.361 billion).  Over the same period, Hollywood films have grossed $22.6 billion worldwide when we add overseas box office (that’s still +6% […]

  OPENINGS:  Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes).  That offset a weaker showing overseas, where it earned $5.2M in 51 markets. HOLDOVERS:  FREE GUY (20th/Disney) enjoyed its final pre-Shang Chi […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 films by studio.  We will begin tracking the 2017 slate in a few weeks.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +5% above last year and now +13% above the average for this point the past four years ($0.714 billion). […]

  OPENINGS:  NOBODY (Universal) had a fair start at $6.7M, better than the $4.1M opening for Let Him Go and the $3.1M for The Marksman.  Following the Universal pattern it will hit premium VOD after 2 more weekends, and may hope to reach $20M in US theatres.  Overseas, it launched with $5M. The much bigger […]

  OPENINGS:  After a painful post-Hobbit winter, Warners was in dire need of a hit, and Jackie Robinson became its great American hero, as 24 (Warners) had a very strong $9.1M opening day.  Word of mouth should be on the movie’s side–the challenge for the studio was to get people into the theaters in the […]

  OPENINGS:  RAYA AND THE LAST DRAGON (Disney, also on Disney+) launched with $8.6M in theatres, and while it also earned (undisclosed) income from super-premium VOD through Disney+, that number was notably lower than last week’s $14.1M for Tom & Jerry, which premiered simultaneously on HBO Max.  Raya was supposed to benefit from the reopening […]