OPENINGS: DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M. (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.) Its lack of awards traction thus far suggests that it’s going to have a hard time building any momentum for a run through the […]
OPENINGS: BLACK ADAM (DC/New Line/Warners) arrived within moderate expectations at $67M. That’s the highest weekend we’ve seen since Thor: Love & Thunder in July, but as a superhero epic with a $300M+ production/marketing budget, it’s far below Love & Thunder ($144.2M), Doctor Strange In the Multiverse of Madness ($187.4M), and DC’s The Batman ($134M). […]
OPENINGS: The summer saga of underperforming franchise titles continued with WAR FOR THE PLANET OF THE APES (TSG/20th), with a $56.5M start that’s 22% below the $72.6M opening for Dawn 3 years ago, and just barely ahead of the $54.8M for 2011’s Rise (despite costing $60M more to produce than Rise). Even with rave […]
OPENINGS: Two smart studio decisions bailed out what could have been a scary opening weekend for THE WOLVERINE (20th). Fox kept the budget relatively low for its expensive genre, just $250M or so including worldwide marketing, and it boosted international appeal with an Asian setting. Both paid off, as the movie had the robust […]
Updated international box office chart.
Updated International Box Office chart below. Big movers this week include The Croods (debuting on the chart with $63 million overseas to date), Oz the Great and Powerful (up $42 million overseas this week) and Jack the Giant Slayer (up $38 million overseas this week).
As was the case last Sunday, the weekend holiday has meant that estimates for New Year’s Day (which are all over the place, from 5% down to 40% up) are no more than speculative, and there are only fragmentary international numbers. Here’s where things stand currently: ROGUE ONE (Lucasfilm/Disney) is reporting holiday numbers […]
OPENINGS: PAUL BLART: MALL COP 2 (MGM/Sony/Columbia) was at the high end of diminished expectations with $24M. That’s roughly 25% below the $31.8M start for the first Paul Blart, not a surprise considering that the Blart franchise was far from universally beloved. The question will be whether Blart 2 can have anything like its […]