OPENINGS:  As we forecast on Friday night, X-MEN: APOCALYPSE (TSG/20th) isn’t just running lower than 2014’s Days of Future Past, it’s also been more frontloaded.  20th is projecting a $65M 3-day weekend and $80M over 4 days, but Apocalypse dropped 23% from Friday to Saturday, compared to 18% for Future Past, and Apocalypse‘s Saturday […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +5% above last year and now +1% above the average for this point the past four years ($6.833 billion).  Over the same period, Hollywood films have grossed $18.4 billion worldwide when we add overseas box office (that’s +5% […]

>The biggest gainer in the international box office this week was The Smurfs.  Now with an overseas total of $321 million, The Smurfs has moved past Thor into the #9 position.  Rise of the Planet of the Apes is starting to stall out overseas and will probably remain in 11th place, just behind Thor. The […]

  OPENINGS:  The Saturday bump for 10 CLOVERFIELD LANE (Bad Robot/Paramount) was 8%, a solid number for its genre that indicates good word of mouth.  That gave it a $25.3M weekend, a bit higher than Friday indicated, although still not where it might have gotten had the Cloverfield connection (or relative lack thereof) been clearer.  […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +6% above last year and still +2% above the average for this point the past four years ($7.173 billion).  Over the same period, Hollywood films have grossed just under $19.1 billion worldwide when we add overseas box office (that’s […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until late February, when we will switch to tracking the 2019 slates. BOX OFFICE. Looking at North American box office, […]

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, though, is considered a success, thanks to a lower production budget ($75M, moderate for a tentpole), pandemic box office standards, and the […]

  OPENINGS:  Jordan Peele’s NOPE (Universal) premiered on the lower end of expectations at $44M.  That’s a significant number for a project that isn’t based on preexisting IP, but down 38% from Peele’s US, and Nope reportedly cost about $40-50M more than US to produce.  Add the fact that Peele’s films haven’t performed particularly well […]