OPENINGS:  GODZILLA VS KONG (Warners, also on HBO Max) had the biggest US theatrical debut since the onset of pandemic closings with $48.5M over 5 days ($32.2M for the 3-day weekend).  It will clearly roar past Tenet‘s $57.9M to become the highest-grossing title in over a year, and could pass $100M in the US.  […]

Updated worldwide box office chart for 2013 North American films.  Also, click here for a summary of worldwide performance by studio.

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -6% below last year’s comparable span (two points better than last week) and now basically even with this point the past four years ($5.987 billion).  Over the same period, […]

  MONDAY UPDATE:  Father’s Day was a holiday, all right… for some movies.  22 JUMP STREET vastly overestimated its appeal to dads, taking a sizable 30% hit on Sunday and falling an ugly $3M below its original weekend number to $57.1M.  HOW TO TRAIN YOUR DRAGON 2 was also a bit weaker than expected, down […]

> In its second week on the international box office chart, Rio has widened its lead at the top, emerging as the worldwide choice among movies in the first third of 2011 (until we see how Fast Five fares).   Rio (Fox) now has over $200 million overseas, with possibly $50 million more to go.  This would […]

  OPENINGS:  STRAIGHT OUTTA COMPTON (Legendary/Universal) turned out to be somewhat frontloaded, with a 20% drop on its 2d day of release.  But no one will complain about its huge $56.1M weekend, the #6 August opening ever (and #2, behind only Signs, among non-franchise titles).  It should add plenty of gold to Universal’s 2015 pile […]

  OPENINGS:  Hollywood breathed a collective sign of relief as BAD BOYS: RIDE OR DIE (Columbia/Sony) arrived moderately above expectations with $56M.  That was down just 10% from 2019’s Bad Boys For Life (although that film opened on a holiday weekend, totaling $73M in 4 days).  Ride or Die faces no direct competition for weeks, […]

  OPENINGS:  THE CONJURING (Warners) behaved like a horror movie on Saturday, falling 18% despite the great reviews and exit polls, but that didn’t stand in the way of its estimated huge $41.5M weekend.  That made it the biggest non-sequel R-rated horror movie ever, and bigger than all the thrillers Warners released under its now-defunct […]