WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -4% below last year’s comparable span (1 point better than last week’s comparison) and still +1% above this point the past four years ($9.865 billion). Over the same period, […]
OPENINGS: MAGIC MIKE’S LAST DANCE (Warners) was produced as an HBO Max original, and then the new Warners ownership decided to give it a mid-level theatrical release in 1500 theaters. The result was an $8.2M weekend, considerably below the $12.9M launch of Magic Mike XXL in 2015 (at 3355 theaters). XXL had a leggy […]
>Fast Five passes Rio to become the worldwide #1 film released in the January-April period. The table below shows the domestic and international grosses for the Top 25 films (out of the 47 movies released between January and April at over 500 theaters). Fast Five is now #1 with $483 million worldwide, followed by […]
OPENINGS: Cheap PG-13 horror movies are the assembly-line workers of the studios, rarely resulting in showy profits, but paying the bills between blockbusters. OUIJA (Universal) and its $20.006M opening (we’ll see how that holds up in final numbers tomorrow) is a prime example, likely to make its way to profit thanks to a $5M […]
Warner Brothers is back on top of Disney, thanks to the second Hobbit film. For a complete ranking of 2013 films individually by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on at least 400 screens at some point), 2013 totals almost $9.5 billion, virtually even with […]
>Harry Potter and the Deathly Hallows Part 2, already a billion dollar movie worldwide, is now closing in on a billion dollars overseas alone. The estimated worldwide gross for the final Harry Potter film now stands at $1.275 billion, with an estimated final domestic gross of $375 million and overseas gross to date of $900 […]
OPENINGS: After a painful post-Hobbit winter, Warners was in dire need of a hit, and Jackie Robinson became its great American hero, as 24 (Warners) had a very strong $9.1M opening day. Word of mouth should be on the movie’s side–the challenge for the studio was to get people into the theaters in the […]
OPENINGS: Sony is one of the last remaining studios to honor the full conventional theatrical distribution window, so MONSTER HUNTER (Screen Gems/Sony) will have roughly 3 months to sell tickets before it’s available at home. It may need every day of that time after a $2.2M start, weak even by pandemic terms. It’s also […]