OPENINGS:  We spent all summer hearing that it was impossible to sell audiences on big-budget non-franchise titles, as spectacles like White House Down, Pacific Rim, After Earth and The Lone Ranger went splat.  In one fantastic swoop, GRAVITY proved the lie to that with an October-record $55.6M weekend–and with two middle-aged stars.  (What a […]

The big movers overseas this past week were Twilight Saga: Breaking Dawn Part 2 (up $151 million to $351 million to date overseas) and Skyfall (up $61 million to $568 million overseas to date).  Updated worldwide tracks for Twilight and the completely re-energized James Bond follow.     Entering the worldwide chart this week are Rise of the Guardians (starting at […]

WORLDWIDE STUDIO SCORECARD.  The release of Neighbors has pushed Universal out of the Paramount and Lionsgate/Summit pack to 5th place among Hollywood studios year to date in worldwide box office (with just under $800 million).  Sony sits at #1 with close to $1.3 billion worldwide in 2014 to date, with Amazing Spider-Man 2 still producing significant overseas revenue. […]

  OPENINGS:  For a movie aimed at children that isn’t a frontloaded franchise installment, WONDER PARK (Nickelodeon/Paramount) had an unimpressive 19% Saturday bump, and it emerged with a $16M weekend that won’t do it much good against production/marketing costs in the neighborhood of $200M–especially with Disney’s Dumbo just 2 weeks away.  The initial overseas results […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February, when we will switch to tracking the 2019 slates. YEAR TO DATE BOX OFFICE. Looking at North American […]

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, though, is considered a success, thanks to a lower production budget ($75M, moderate for a tentpole), pandemic box office standards, and the […]

  OPENINGS:  The only new wide release on Halloween weekend was the low-budget horror movie COME PLAY (Focus/Universal), which was relatively impressive compared to last week’s $1.3M for Empty Man with $3.2M.  It seemed to be helped by pandemic considerations, because while normally a Saturday Halloween would be a down day, this year moviegoing appeared […]

Updated international box office chart: