OPENINGS: Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes). That offset a weaker showing overseas, where it earned $5.2M in 51 markets. HOLDOVERS: FREE GUY (20th/Disney) enjoyed its final pre-Shang Chi […]
WORLDWIDE STUDIO SCORECARD. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +8% above last year and now +3% above the average for this point the past four years ($6.066 billion). Over the same period, Hollywood films have grossed almost $16.3 billion worldwide when we add […]
OPENINGS: KUNG FU PANDA 4 (DreamWorks Animation/Universal), the first new all-ages animated release since the holiday season, arrived at the high end of projections with $58.3M, impressively above the $41.3M start for 2016’s Panda 3. (And at a reported production budget 40% lower than its predecessor.) It faces no direct competition for months, and […]
OPENINGS: As we noted on Friday, the 3-day weekend studio estimates are lower than they’d otherwise be, due to lower pre-holiday moviegoing on Saturday and especially Sunday. That will all change on Christmas Day, which will usher in the biggest 8 days of the box office year. JUMANJI: WELCOME TO THE JUNGLE (Columbia/Sony) is […]
OPENINGS: FREAKY (Blumhouse/Universal) led the weekend at $3.7M. It was the third consecutive weekend that a Universal-branded film opened at #1 (aided by the studio’s deal with AMC that allows its films to hit digital 3 weeks after theatrical release) and the fifth new #1 to open in the $3.1-4.1M range. Like the others, […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now down -2% from last year and now +2% above the average for this point the past four years ($7.598 billion). Over the same period, Hollywood films have grossed […]
OPENINGS: The news was good and bad for POWER RANGERS (Lionsgate). Its US opening was very solid at $40.5M (even if that number turns out to be a bit overstated, with an ambitious Sunday estimate). But it carries at least $200M in production/marketing costs, and to reach profit, it also needs to be strong […]
OPENINGS: THE CONJURING (Warners) behaved like a horror movie on Saturday, falling 18% despite the great reviews and exit polls, but that didn’t stand in the way of its estimated huge $41.5M weekend. That made it the biggest non-sequel R-rated horror movie ever, and bigger than all the thrillers Warners released under its now-defunct […]