WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -10% below last year’s comparable span (1 point worse than last week) and still -2% below the average at this point the past four years ($3.722 billion).  Over the same […]

  Last year’s Thanksgiving weekend was the biggest ever, thanks to the combo of Catching Fire and Frozen, and while plenty of tickets were sold over the past few days, this year didn’t come close. OPENINGS:  THE PENGUINS OF MADAGASCAR (DreamWorks Animation/20th) was yet another piece of disappointing product for DreamWorks, which really needed to […]

  OPENINGS:  There was a barely-wide opening for OUR FRIEND (Gravitas, also on VOD) at 543 theatres with a $250K weekend that translated into a quiet per-theatre average of $460. HOLDOVERS:  THE MARKSMAN (Open Road) dipped 35% in its 2nd weekend to $2M (by comparison,  Liam Neeson’s prior vehicle Honest Thief dropped 43% in Weekend […]

  OPENINGS:  PAUL BLART: MALL COP 2 (MGM/Sony/Columbia) was at the high end of diminished expectations with $24M.  That’s roughly 25% below the $31.8M start for the first Paul Blart, not a surprise considering that the Blart franchise was far from universally beloved.  The question will be whether Blart 2 can have anything like its […]

  OPENINGS:  FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (Warners) opened at $62.2M in the US, down 16% from the first Beasts.  In addition, it was more front-loaded, with a 16% Saturday drop compared to 12%.  Exit polls and reviews suggest that word of mouth won’t be as strong this time, so a $200M US total […]

>Real Steel is knocking on the $200 million worldwide door, as the overseas gross to date jumped above $100 million (outweighing a downgrade in our domestic total estimate).  Picking up steam, Paranormal Activity 3 doubled its overseas tally to $54 million, and it is just getting going.  (See the updated chart after the jump.) Making […]

  OPENINGS:  SAN ANDREAS (Village Roadshow/RatPac Dune/New Line/Warners) had a solid 13% Saturday bump that propelled it to a $53.2M weekend, significantly above expectations–and with no direct competition arriving next weekend, it should hold fairly well (until Jurassic World arrives in 2 weeks).  The surprising part of the picture is that given that level of […]

  OPENINGS:  The SAUSAGE PARTY (Annapurna/Columbia/Sony) audience was somewhat frontloaded, with a 16% Saturday decline, but the weekend total of $33.6M was still outstanding, the best starring debut for Seth Rogen since the original Neighbors, and higher than the $33M 5-day opening for This Is The End (which opened on a Wednesday).  There’s certainly nothing […]