Oz the Great and Powerful had a very good week overseas, up $67 million to $137 million foreign to date and almost $400 million total projected worldwide.  It should approach $600 million worldwide, ending up at around #5 on our chart. The other significant gainer this past week was A Good Day to Die Hard, up $23 […]

  We’re continuing our midsummer look at how Hollywood’s studios are faring in 2013.  Yesterday we scrutinized Disney, and today our gaze is fixed on Warner Bros. It’s been a tumultuous summer at Warners, much of the turmoil going on behind the scenes.  Jeff Robinov, President of the Warner Bros Picture Group since 2007, left […]

Updated international box office chart:

Updated worldwide box office chart for 2013 North American films.  The Hobbit: Desolation of Smaug and to some extent The Hunger Games: Catching Fire are the top American performers overseas by far.  Also, click here for a summary of worldwide performance by studio.

WORLDWIDE STUDIO SCORECARD.  Year to date, Warner Brothers remains head and shoulders above the other studios, while Sony and Universal form a second tier with about $500 million worldwide each for 2014 to date.  Lionsgate/Summit and Disney now join Fox and Paramount in the third tier (between $200 million and $300 million worldwide each). Scroll […]

  OPENINGS:  DAWN OF THE PLANET OF THE APES (20th) brought in $73M in the US, and added $31.1M in 26 (mostly smaller) international markets.  While a terrific boost to the franchise (which rebooted at $54.8M with Rise 3 years ago), it’s still a level below the summer’s mega-franchises.  However, Dawn has weeks to play […]

WORLDWIDE STUDIO SCORECARD.  Big Hero 6 has pushed Disney into a solid second place, giving it some distance from #3 Warner Brothers.  Interstellar has allowed Paramount to pull into 4th place, passing Sony and drawing fairly close to Warner Brothers (with Paramount boasting a much higher hit-to-miss ration than Warner Brothers has).   Scroll down for domestic and […]

  OPENINGS:  When studios trot out “bad weather” as their excuse for an underwhelming opening, it’s the industry equivalent of citing a homework-eating dog–and this week, it’s particularly clear that the inclement conditions that supposedly affected FOCUS (RatPac Dune/Warners) didn’t interfere at all with the holdovers that performed very strongly over the past 3 days.  […]