OPENINGS:  CRAZY RICH ASIANS (Color Force/SK Global/Warners) had a strong 42% Saturday bump, an especially bright sign for a film that might have been expected to play as front-loaded for a niche audience.  That pushed its weekend to $25.2M, with a total of $34M since its Wednesday opening.  It was just slightly below the […]

  OPENINGS:  The $35.4M weekend result for SPIDER-MAN: INTO THE SPIDER-VERSE (Sony Animation/Columbia/Sony) was in keeping with its Friday projections, and the expectation is that it will thrive through the holidays.  Its 3% Saturday bump, though, which is low for a family animated movie (The Grinch jumped 47% on its 2nd day of release) but […]

  OPENINGS:  LITTLE (Legendary/Universal) led the weekend’s weak crop of newcomers with $15.5M, buoyed by a 15% Saturday bump.  That’s about 15% below the recent opening of What Men Want, which was aimed at a somewhat older audience, and suggests an OK $45M US total.  It had a limited overseas opening in 11 markets, where […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and now even with this point the past four years ($6.705 billion).  Over the same period, Hollywood films have grossed over $17.7 billion […]

  OPENINGS:  JUMANJI: THE NEXT LEVEL (Columbia/Sony) successfully rode its strategy of arriving in theatres ahead of The Rise of Skywalker to a $60.1M weekend, far ahead of the $36.2M opening weekend for the last Jumanji (although that had a different release pattern, opening on the Wednesday between that year’s Star Wars installment and Christmas […]

  OPENINGS:  There were no new wide openings this weekend, and with the postponement of No Time To Die until 2021, and the announcement that Regal Theaters may be re-closing some or all of its houses, it’s not clear when the major studios will be returning.  (Currently Pixar/Disney’s Soul and Universal’s The Croods 2 are […]

  OPENINGS:  Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes).  That offset a weaker showing overseas, where it earned $5.2M in 51 markets. HOLDOVERS:  FREE GUY (20th/Disney) enjoyed its final pre-Shang Chi […]

  OPENINGS:  No one, including its studio, expected much from the remake of FIRESTARTER (Blumhouse/Universal, also on Peacock), and it delivered a weak $3.8M that suggests an eventual $10M US total.  Economics become murky when films also premiere on streaming, but that certainly isn’t good.  Things were no better overseas, where Firestarter limped to $2.1M […]