> The updated worldwide grosses rankings show that Rango (Paramount) has slightly expanded its lead (with more room to grow) and that Battle: Los Angeles (Sony) is poised to challenge The Green Hornet (also Sony) for #2. Hop (Disney) enters the chart in the top 10, at #8, with some serious upside in the coming weeks. It will probably […]
WORLDWIDE STUDIO SCORECARD. Updated look at 2016 by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now even with last year and still +2% above the average for this point the past four years ($5.943 billion). Over the same period, Hollywood films have grossed $15.3 billion worldwide when […]
OPENINGS: THE HOUSE WITH A CLOCK IN ITS WALLS (Reliance/Universal) was built for weekend matinees, and a 47% Saturday bump carried it to a $26.9M weekend. Among recent fall supernatural family movies, that puts it $3.2M above Goosebumps, and $2.2M below Miss Peregrine’s Home For Peculiar Children, suggesting a US landing place around $85M. […]
WORLDWIDE STUDIO SCORECARD. Here is a first look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -30% below last year’s comparable span and now -23% below the average for this point the past four years ($1.564 billion). Over the same period, Hollywood films have grossed $3.2 […]
OPENINGS: As we noted on Friday, the 3-day weekend studio estimates are lower than they’d otherwise be, due to lower pre-holiday moviegoing on Saturday and especially Sunday. That will all change on Christmas Day, which will usher in the biggest 8 days of the box office year. JUMANJI: WELCOME TO THE JUNGLE (Columbia/Sony) is […]
OPENINGS: The only wide opening of the week was the Christian-aimed action movie INFIDEL (Cloudburst), the first release from that studio. The official estimate is $1.5M from 1724 theatres, or a bit less than $900 per-theatre for the weekend, but that number assumes a very strong Sunday, so we’ll see if it holds up. […]
OPENINGS: WRATH OF MAN (Miramax/UA/MGM) held solidly through the weekend and emerged with $8.1M, better than Nobody‘s recent $6.8M start, and not too far below the $10.7M for Guy Ritchie’s pre-pandemic The Gentlemen. That film ended up with $36.5M in the US, and with the relative lack of competition Wrath faces, it could also […]
OPENINGS: The news was good and bad for POWER RANGERS (Lionsgate). Its US opening was very solid at $40.5M (even if that number turns out to be a bit overstated, with an ambitious Sunday estimate). But it carries at least $200M in production/marketing costs, and to reach profit, it also needs to be strong […]