WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +6% above last year and still +8% above the average for this point […]

  The enduring respect and admiration for Get Out, and its own enthusiastic reviews, are pushing Jordan Peele’s US (Blumhouse/Perfect World/Universal) way past expectations.  According to preliminary numbers at Deadline, opening day was $28.6M (including $7.4M from Thursday night), which means that in one day, Us has already earned more than 85% of Get Out‘s […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -7% below last year’s comparable span (2 points worse than last week) and now basically even with the average at this point the past four years ($4.565 billion).  Over […]

  Everything has broken right for JOKER (BRON/Village Roadshow/DC/Warners).  Its combination of gold-standard IP with a gritty, violent, R-rated aesthetic has been largely accepted critically and earned it film festival kudos, and it’s had the benefit of controversy about its potential to stir up real-life trouble without (so far) any actual incidents that could drive […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studios (films entering wide release in the 2019 calendar year), including worldwide box office for those films during 2020. We will begin the track of the 2020 slate soon. BOX OFFICE. Looking at North American box office, 2020 is now +18% […]

  OPENINGS:  WW84 (DC/Warners)–that’s the official title per the credits–had the biggest US opening of the pandemic era with $16.7M (a $7800 per-theatre average), much higher than the $9.7M for The Croods: A New Age, and even more impressive considering that millions more stayed home to watch the movie on HBO Max.  The weekend box […]

  OPENINGS:  There’s no way to spin the $10.5M US opening of  Steven Spielberg’s WEST SIDE STORY (20th/Disney), and its even worse $4.4M start in 37 overseas territories (with $2.8M of that from France and the UK), as anything but flat-out bad.  Unlike other 2021 musicals like In the Heights ($11.5M opening even with a […]

  OPENINGS:  BULLET TRAIN (Columbia/Sony) opened in line with general predictions at $30.1M, but that’s not the same as a good result.  The film carries around $175M in production/marketing costs, and faces a long track to profitability.  Nor does it appear to be showing particular strength internationally, despite Brad Pitt’s star power and the international […]