WORLDWIDE STUDIO SCORECARD. Here is our first look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +1% above last year and now +10% above the average for this point the past four years ($1.257 billion). Over the same period, Hollywood films have grossed […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +7% above last year and now +15% above the average for this point the past four years ($3.166 billion). Over the same period, Hollywood films have grossed over $10.7 […]
There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood. His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies to Harry Styles) but riding a tide of Oscar-level reviews, is already overperforming expectations with a $19.8M opening day (including $5.5M […]
HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out. Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), and its 68% Rotten Tomatoes score is comparable to Split‘s 74%. That film had a 2.7x weekend multiple, and even if Happy […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -1% from last year and now +1% above the average for this point the past four years ($9.898 billion). Over the same period, Hollywood films have grossed […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +14% above last year and now +23% above the average for this point the […]
There’s usually a box office hangover after a holiday weekend opening, but the Friday-to-Friday drop for SOLO (Lucasfilm/Disney) was particularly sour, down 77% to $8M in preliminary numbers at Deadline, compared to the 73% for last year’s Pirates of the Caribbean V, and 74% for X-Men: Days of Future Past. In fact, it was […]
The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns. The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M. That should give it a $21M 3-day weekend and around $30M since opening day. A $70M […]