WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +8% above last year and now +4% above the average for this point the past four years ($5.828 billion).  Over the same period, Hollywood films have grossed $15.7 billion worldwide when we add overseas box office […]

Weekend #36 of 2015 is looking like $54 million for the top 12 films this weekend, a touch better than last year but still below the norm for this weekend, normally the slowest of the year (see comparisons below). The Transporter Refueled from EuropaCorp should open with a $7.8 million three-day weekend and about $9.6 million Friday-Monday. No early […]

  OPENINGS:  Nothing improved for the weekend’s newcomers after Friday’s dim numbers.  THE LAST WITCH HUNTER (QED/Summit/Lionsgate) led with a soft $10.8M, and whether or not Lionsgate is being entirely frank when it claims to have little exposure, someone is going to be feeling a tug on their wallet.  The results overseas, not unexpectedly, were […]

The 2015 holiday box office continues to shatter records, thanks to Star Wars: The Force Awakens as it plays like a holiday word of mouth hit after opening like a summer blockbuster. For the ten days December 16-25, top 10 films in North America have totaled $600 million, almost double the same period the last few years and more […]

  How much more humiliating can things get for Warners?  On Friday, according to preliminary numbers at Deadline, THE BOSS (Universal), which isn’t even a high-performing Melissa McCarthy vehicle, beat up both the studio’s superheroes with about $7.5M.  The Boss will likely have trouble sustaining itself over the weekend, but at about $20M+, it will […]

  The most interesting box office story of the weekend is WARCRAFT (Legendary/Universal).  It’s a dud in the US, with $11M on Friday according to preliminary numbers at Deadline, which with its frontloaded fan audience probably means a $25M or so weekend and a domestic total that may not reach $75M.  That’s not much on […]

  OPENINGS:  The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows.  Miss Peregrine cost less than Shadows, which will help (reportedly by about $40M), but this is still not much more than a breakeven proposition on a fairly large investment […]

  GET OUT (Blumhouse/Universal) is the latest hit from the prolific low-budget horror production company that still has Split in the market, off to a fast start according to preliminary numbers at Deadline with $10.5M on Friday (including $1.8M from Thursday night).  Unlike most titles in the genre, Get Out also boasts terrific reviews (an […]