OPENINGS:  SICARIO: DAY OF THE SOLDADO (Black Label/Columbia/Sony) had a modest $19M start, which was better than the first Sicario‘s $12.1M (in October, after 2 weeks of limited release), but perhaps not by enough to justify the pricetag of opening in the crowded summer marketplace.  (Note that the risk here is Black Label’s, since […]

  The weekend box office race may end up being quite close once matinees come into play, but NIGHT SCHOOL (Perfect World/Universal) took Friday, with preliminary numbers at Deadline putting it at $9.3M for the day (including $1.4M from Thursday night).  That’s below the $13M Friday for Kevin Hart’s Central Intelligence, and $12.9M for Get […]

  OPENINGS:  The $35.4M weekend result for SPIDER-MAN: INTO THE SPIDER-VERSE (Sony Animation/Columbia/Sony) was in keeping with its Friday projections, and the expectation is that it will thrive through the holidays.  Its 3% Saturday bump, though, which is low for a family animated movie (The Grinch jumped 47% on its 2nd day of release) but […]

  OPENINGS:  CAPTAIN MARVEL (Marvel/Disney) launched with $455M worldwide, the highest superhero intro movie ever (although not all the titles in that category opened in China on their first weekend).  In the US, its $153M total was #2 behind Black Panther, which had the advantage of a holiday weekend Sunday.  Captain Marvel declined 14% on […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -7% below last year’s comparable span (3 points better than last week) and now +1% above the average at this point the past four years ($4.105 billion).  Over the […]

  WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still basically even with this point the past four years ($7.473 billion).  Over the same period, Hollywood films have grossed almost […]

  OPENINGS:  The release strategy for 1917 (Universal) has gone just about perfectly, culminating in a $36.5M wide opening weekend that was significantly ahead of industry expectations.  Universal screened the film to critics and guild groups at the end of November, unveiled it in limited release on Christmas Day with the benefit of strong reviews, […]

  OPENINGS:  Under the current circumstances, the 5-day $17M opening ($9.7M Friday-Sunday) for THE CROODS: A NEW AGE (DreamWorks Animation/Universal) counts as a win, with comparisons to the original Croods or any other Thanksgiving release fairly pointless.  The film also earned $19.2M in China and $1.6M in 6 smaller international markets.  New Age reportedly had […]