It was a strong multiplex weekend all over the world this week, which was good news for Hollywood and its overseas equivalents. OPENINGS:  Although David Fincher is considered one of cinema’s heavy hitters, he’s never been a blockbuster guy, and until this weekend, his biggest opening came a dozen years ago, with $30.1M for […]

>Adventures of Tintin continues to roll around the world and is up to $159 million overseas, already what we expect it to do domestically when it opens here in December.  Real Steel is now up to almost $150 million overseas, as is Johnny English Reborn.  Puss in Boots has jumped up to $48 million overseas […]

  OPENINGS:  HOBBS & SHAW (Universal) dropped 13% on Saturday, considerably less frontloaded than the 31% Saturday drops for the last 2 Fast & Furious titles, The Fate Of the Furious and Furious 7.  Both of those shed an additional 29-31% on their first Sundays, and Universal is optimistically assuming a mere 20% drop for […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($7.899 billion).  Over the same period, Hollywood films have grossed over […]

>The Hunger Games has moved up to $229 million overseas (up from $216 million last week).  The film is probably headed for a worldwide total of $660 million, including our newly revised forecast of $399 million domestic.  Click “read more” to see the updated weekly worldwide table.      Arriving in North America Friday, The […]

>Click “read more” to see the latest international box office chart for recent releases.  Twilight Saga: Breaking Dawn Part 1 is now over $600 million projected worldwide, while The Adventures of Tintin is closing in on $400 million, assuming it doesn’t tank stateside. With the downward adjustment in domestic box office and very limited overseas […]

  Are Americans tired of superhero movies?  There were whispers to that effect after The Avengers: Age of Ultron underperformed a bit and Fantastic Four outright flopped last year, but clearly the answer is Hell, No.  DEADPOOL (Marvel/20th) puts a new R-rated satiric spin on the genre (very carefully:  its jokes are aimed at Fox’s […]

  At a cost of $175M (meaning $300M+ with global marketing), SNOW WHITE AND THE HUNTSMAN (Universal) is a long way from profit.  But credit the studio with making “Snow White” seem cool enough to garner a solid opening (and credit the studio as well with cannily minimizing expectations, so a solid opening passes for […]