OPENINGS:  The biggest arrival of the weekend is still 2 weeks away from reaching the US.  INFERNO (Columbia/Sony), the latest in the DaVinci Code/Angels & Demons franchise, opened in 53 markets comprising about 2/3 of the world with $50M.  That’s a solid start, but suggests that when the movie goes worldwide (except for France) […]

  OPENINGS:  THE HOUSE WITH A CLOCK IN ITS WALLS (Reliance/Universal) was built for weekend matinees, and a 47% Saturday bump carried it to a $26.9M weekend.  Among recent fall supernatural family movies, that puts it $3.2M above Goosebumps, and $2.2M below Miss Peregrine’s Home For Peculiar Children, suggesting a US landing place around $85M.  […]

  OPENINGS:  The news was good and bad for POWER RANGERS (Lionsgate).  Its US opening was very solid at $40.5M (even if that number turns out to be a bit overstated, with an ambitious Sunday estimate).  But it carries at least $200M in production/marketing costs, and to reach profit, it also needs to be strong […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still +2% above last year and still +4% above the average for this point the past four years ($5.940 billion).  Over the same period, Hollywood films have grossed over $16.9 […]

WORLDWIDE STUDIO SCORECARD.  Here is a first look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -30% below last year’s comparable span and now -23% below the average for this point the past four years ($1.564 billion).  Over the same period, Hollywood films have grossed $3.2 […]

  OPENINGS:  THE LIGHT BETWEEN OCEANS (DreamWorks/Reliance/Participant/Disney) brings to an ignominious end the distribution relationship between DreamWorks and Disney.  Their final shared title disappointed on every level, with a $5M 3-day weekend that might become $6M on Monday, and no chance of recouping its costs.  Even though the weak reviews, length and period setting worked […]

  OPENINGS:  As we noted on Friday, the 3-day weekend studio estimates are lower than they’d otherwise be, due to lower pre-holiday moviegoing on Saturday and especially Sunday.  That will all change on Christmas Day, which will usher in the biggest 8 days of the box office year. JUMANJI: WELCOME TO THE JUNGLE (Columbia/Sony) is […]

  THE MAIN EVENT:  As the roof caved in on BATMAN V SUPERMAN:  DAWN OF JUSTICE (DC/RatPac/Warners), the studio had two last-ditch goals:  to avoid a Weekend 2 result that dropped 70% from last week or dipped below $50M in the US.  Pending tomorrow’s final numbers, it appears to have managed that, with a 68% […]