WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is +3% above last year and +3% above the average for this point the past four years ($8.715 billion).  Over the same period, Hollywood films have grossed $23.3 billion worldwide when we add […]

  International Box Office Note:  This is the last weekend before the World Cup begins diverting much of the planet’s attention (except, of course, in the US) away from movies for the next month.  That’s expected to have a noticeable effect on the overseas box office. OPENINGS:  THE FAULT IN OUR STARS (20th) confirmed all […]

  OPENINGS:  The weekend’s tallest dwarf was WAR DOGS (RatPac/Warners) with a soft $14.3M start.  The 12% Saturday drop indicates that word of mouth isn’t great, and early international numbers are weak as well, with $6.5M in 31 markets.  War Dogs cost $125M+ in production and worldwide marketing, and it seems likely to add to […]

STUDIO SCORECARD. Warner Brothers has jumped into second place in worldwide box office for the year to date, thanks to the opening of Man of Steel and to some extent continued overseas business for Great Gatsby and Hangover 3.  With the projected domestic total for Man of Steel, Warners is now the #1 studio domestically […]

  OPENINGS:  The biggest story of the weekend took place off American shores, as IRON MAN 3 (Disney) topped all expectations to open with a fantastic $195.3M in 42 territories (China and Russia are the notable ones still to come).  That’s higher than the $185.1M opening for The Avengers (in 39 territories that didn’t include […]

  OPENINGS:  THE ADDAMS FAMILY (BRON/MGM) proved to be a still-fertile source of IP with a solid $30.3M US start, and the cartoon should benefit from closed schools on Columbus Day for a robust 4-day weekend total.  Production costs were reportedly on the low end of animation, so a 3x multiple to $90M should go […]

  OPENINGS:  IT ENDS WITH US (Wayfarer/Columbia/Sony) roared past expectations with a remarkable $50M.  That studio estimate comes with a couple of asterisks–it includes an unspecified amount from wide Wednesday screenings, and assumes an extremely strong Sunday hold–but even so, it’s a great start for a drama that may not even have $75M in production/worldwide […]

  OPENINGS:  THE EXORCIST: BELIEVER (Blumhouse/Morgan Creek/Universal) was at the low end of expectations with $27.2M, and it was also below projections internationally with $17.9M in 52 markets.  It’s hard to tell just what this means in terms of the bottom line, because while a $125M worldwide total wouldn’t look terrible against $30M in production […]