OPENINGS:  $17.1M for THE CALL (TriStar/Sony) is more than the movie cost to produce (although it won’t pay for the marketing), and sets the Halle Berry vehicle up to be a modest hit.  However, there’s no spinning the $10.3M for THE INCREDIBLE BURT WONDERSTONE (Warners), which will lose much more than its $35M production budget […]

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar.  The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]

  OPENINGS:  THE LITTLE MERMAID (Disney) began its run with $95.5M over the 3-day weekend, projected to $117.5M with the Monday holiday.  That’s within the range of pre-release projections, and if the numbers hold, it would be slightly higher than the $116.8M earned over the 2019 4-day Memorial Day weekend by Aladdin.  However, it’s a […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 films by studio.  We will begin tracking the 2017 slate in a few weeks.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +8% above last year and now +12% above the average for this point the past four years ($0.858 billion). […]

WORLDWIDE STUDIO SCORECARD.  Universal and Sony each had weeks over $100 million, mostly because of the domestic releases of The Boxtrolls (Focus) and The Equalizer.  But both movies remain mired toward the bottom of the worldwide studio rankings. Scroll down for domestic and overseas grosses for each film individually so far in 2014.   YEAR TO DATE BOX […]

  OPENINGS:  In the US, ONWARD (Pixar/Disney) was merely a disappointment by Pixar standards, with an OK 37% Saturday bump that allowed it to claim a $40M weekend, pending actuals on Monday.  That isn’t much better then the $34.7M launch for last year’s Lego Movie 2, and it’s far off last March’s $55M for How […]

Thor: The Dark World has pushed Disney back into first place in the worldwide box office race, pushing Warner Brothers back into second place and Universal into third. For a complete ranking of 2013 films by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on […]

  OPENINGS:  The 3-day weekend in the US went narrowly to MEG 2: THE TRENCH (CMC/Warners) with $30M.  That was down more than 1/3 from the $45.4M start for The Meg in 2018, which would ordinarily be concerning for a film with $250M in production/marketing costs, but Meg 2 overperformed internationally even more strongly than […]