OPENINGS:  Christmas Day is one of the highest-grossing days of the year, and it will give a major bump to everything in the market.  Even with that boost, AQUAMAN & THE LOST KINGDOM (DC/Warners) was only able to muster a $40M 4-day weekend studio estimate after $28.1M in 3 days (and given the 34% […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($8.038 billion).  Over the same period, Hollywood films have grossed $22.4 […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +2% above the average for this point the past four years ($7.310 billion).  Over the same period, Hollywood films have grossed […]

  OPENINGS:  In the US, NO TIME TO DIE (UA/MGM) opened at $56M, at the low end of expectations–and “expectations” are usually already set low so that the press will report that a film has “overperformed”–and below the last three Bond films (Quantum of Solace $67.5M, Skyfall $88.4M, Spectre $70.4M).  Obviously the pandemic is a […]

WORLDWIDE STUDIO SCORECARD.  Very little change in the studio rankings of worldwide box office for the year to date.  No studio changed its ranking this week, and the top four studios grossed a modest $60 to $101 million each over the past week. Scroll down for domestic and overseas grosses for each film individually so […]

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, though, is considered a success, thanks to a lower production budget ($75M, moderate for a tentpole), pandemic box office standards, and the […]

  OPENINGS:  IT ENDS WITH US (Wayfarer/Columbia/Sony) roared past expectations with a remarkable $50M.  That studio estimate comes with a couple of asterisks–it includes an unspecified amount from wide Wednesday screenings, and assumes an extremely strong Sunday hold–but even so, it’s a great start for a drama that may not even have $75M in production/worldwide […]

  OPENINGS:  ABOMINABLE (Pearl/DreamWorks/Universal) seized a weekend on the calendar that had a dearth of new children’s movies (and with 2 weeks until The Addams Family opens), and pushed it to a fair $20.9M opening.  However, with roughly $150M in costs, it will need international help to reach profit, and since weekend results were at […]