WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -7% below last year’s comparable span (2 points worse than last week) and now basically even with the average at this point the past four years ($4.565 billion).  Over […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +3% above last year and now +17% above the average for this point the […]

  OPENING:  THE WOMAN IN BLACK 2:  ANGEL OF DEATH (Relativity) fell to 4th place for the weekend, as expected, after a strong opening day.  Still, a $15.1M haul for the cheap thriller isn’t at all bad, and it wouldn’t be surprising to see a Woman in Black 3 come along in a year or […]

  OPENINGS:  MOANA (Disney Animation) notched the #2 5-day Thanksgiving opening of all time with $81.1M (unless tomorrow’s finals put it behind Toy Story 2‘s $80.1M), and it should easily hit $250M before it’s done, especially since Universal’s Sing is its only serious family competition for the holiday season.  Its international release is going to […]

  OPENINGS:  Not to throw any cold water on the extremely impressive performance of THE PURGE (Universal), but it’s unlikely that the thriller will slip only 12% on Sunday, as Universal is forecasting, when the next-lowest Sunday estimate in the Top 10 is almost double that.  (The idea seems to be that after a 38% […]

OPENINGS:  Fill in the ball/glass slipper/fairy tale reference of choice, because CINDERELLA (Disney) performed beautifully, with $70.1M in the US.  That puts it ahead of the $69.4M opening of Maleficent (unless adjusted numbers change things tomorrow), and below the $116.1M for Alice in Wonderland and the $79.1M for Oz the Great and Powerful.  Cinderella‘s 18% […]

  OPENINGS:  In order for STAR TREK: INTO DARKNESS (Paramount) to hit its $70.6M weekend studio estimate (and $84.1M over 4+ days), it will need to have the best Sunday hold in the top 10 by a substantial margin.  Paramount has it slipping only 24%, when the next-lowest drop is 30% (and that’s also for […]

  As Hollywood becomes more and more dependent on action and animation franchises, the US market becomes increasingly less relevant. OPENINGS:  NEED FOR SPEED (DreamWorks/Disney) made more money in China ($21.2M) on its opening weekend than it did in the US ($17.8M).  Combined with $24.4M from 39 other territories around the world, Need is likely […]