March 18, 2018

Year to Date Box Office & Worldwide Studio Scorecard 3.18.018

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017.

Studio YTD 2018 as of 2018 Mar 18

YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +3% above last year and now +17% above the average for this point the past four years ($2.016 billion).  Over the same period, Hollywood films have grossed almost $6.0 billion worldwide when we add overseas box office (that’s now -4% below the comparable worldwide box office last year at this stage and +16% above 2016).

A reminder: we define the start of each year as the first Monday in January, and our year ends on the Sunday after New Year’s Day the following calendar year.  (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.)  The numbers in this chart contain box office grosses from each year’s films as well as grosses from prior year films that carried over into that year.

(billions) Weeks 1-11
North America Worldwide
2018 $2.365 $5.953 Jan 1-Mar 18
2017 $2.302 $6.229 Jan 2-Mar 19
2016 $2.024 $5.117 Jan 4-Mar 20
2015 $1.901 $5.267 Jan 5-Mar 22
2014 $1.835 $4.748 Jan 6-Mar 23


The past six weeks in North America are now basically even with the same period last year and now up +21% from the four-year average for the similar six-week period ($1.105 billion).

North American Box Office PAST SIX WEEKS
2018 $1.333 since Feb 5
2017 $1.339 since Feb 6
2016 $1.136 since Feb 8
2015 $0.966 since Feb 9
2014 $0.979 since Feb 10


WORLDWIDE GROSSES BY FILM TITLE.  Here is an updated look at the 2018 film rankings for movies released in over 1,000 North American theaters since January 1.

International 2018 through 2018 Mar 18

International 2018 Part 2 through 2018 Mar 18



About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.