OPENINGS:  KUNG FU PANDA 4 (DreamWorks Animation/Universal), the first new all-ages animated release since the holiday season, arrived at the high end of projections with $58.3M, impressively above the $41.3M start for 2016’s Panda 3.  (And at a reported production budget 40% lower than its predecessor.)  It faces no direct competition for months, and […]

  OPENINGS:  DUNE: PART TWO (Legendary/Warners) landed at the high end of projections with $81.5M.  Comparisons with the 2021 Dune have little meaning, since that film was part of the studio’s controversial year of premiering simultaneously in theaters and via streaming, but compared to recent blockbusters, Dune 2 was below Ant-Man & The Wasp: Quantumania […]

  OPENINGS:  In what Hollywood hopes will be the last weekend of drought for a while, the TV episodes packaged as DEMON SLAYER:  KIMETSU NO YAIBA – TO THE HASHIRA TRAINING (Crunchyroll/Sony) led the newcomers with $11.6M, a bit better than the $10.1M for last year’s Demon Slayer episodes.  In addition, the film earned $13.7M […]

  OPENINGS:  The calendar did Hollywood a favor by placing Valentine’s Day on Wednesday, affording films a 6-day window with Presidents Day on Monday.  The chief beneficiary was BOB MARLEY: ONE LOVE (Paramount), which surpassed expectations with $51.1M through Monday ($27.7M over the traditional 3-day weekend).  With little new competition in the wings next week, […]

  OPENINGS:  ARGYLLE (Apple/Universal) arrived within blah expectations at $18M.  That makes it the third consecutive wildly expensive theatrical flop for Apple (with worldwide marketing included, costs were around $300M), and while the company has a few more projects on the calendar, including a pair of Brad Pitt vehicles, one has to wonder how many […]

  OPENINGS:  The musical remake of MEAN GIRLS (Paramount) was within expectations at $28M for the 3-day weekend ($32M is anticipated with the inclusion of Monday’s MLK Day holiday).  The film, which was originally developed for streaming, had a moderate budget, so it should be on its way to a fair amount of profit.  The […]

  OPENINGS:  The traditional horror movie start of the new year was provided by NIGHT SWIM (Blumhouse-Atomic Planet/Universal), although at $12M it was the lowest such arrival since The Grudge started with $11.4M in 2020.  The final number for that one was $21.2M, and Night Swim probably won’t be much higher.  The international launch was […]

  OPENINGS:  Christmas Day is one of the highest-grossing days of the year, and it will give a major bump to everything in the market.  Even with that boost, AQUAMAN & THE LOST KINGDOM (DC/Warners) was only able to muster a $40M 4-day weekend studio estimate after $28.1M in 3 days (and given the 34% […]