> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you were lucky enough to get onto the screen where selections could be made, hitting “Send” froze that page; […]

>Four full weeks into 2012, domestic box office continues to run well ahead of last year’s anemic pace but about even with the comparable period’s average for the last several years.        The Past Week: Total Box Office Volume All films in wide release playing between January 23 and January 29 grossed $172 million, […]

> The tiny 3% drop in PUSS IN BOOTS‘ second weekend is truly remarkable, and could well lead to studios adopting DreamWorks’ strategy in the future of opening an animated movie on Halloween weekend and then having a de facto 2d opening the following week.  (However, the picture is still running $13M below Megamind‘s 10 […]

WORLDWIDE STUDIO SCORECARD.  The 2014 Scorecard, updated with additional overseas grosses, has been updated below.  The 2015 Scorecard will be introduced toward the end of January. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 (one full week young) is -14% behind last year and -13% below the average for this point […]

This weekend will be respectable — the top 12 films should total around $93 million, very typical for this weekend most years, although down 13% from last year when Moneyball and Dolphin Tale both opened.  Four films from very different genres open this weekend, none of which should break out significantly.  Also, The Master expands […]

>The sixth weekend of the year should generate about $142 million for the top 12 films — up 5% from last year’s comparable weekend but down a similar percentage from a “normal” weekend this time of year.  The Vow and Safe House should open very solidly at #1 and #2.            […]

The 20th weekend of the year is looking like $158 million for the top 12 films, a little better than average for this weekend over the past few years but much better than the same weekend last year, which featured the opening of the one of the greatest clunkers/ punchlines/ punching bags ever: Battleship from […]

> Worth A Ticket; A tasty croissant from Woody Allen. Woody Allen interrupts the opening credits of his new comedy MIDNIGHT IN PARIS to insert a montage of lovely Paris locations.  I mention this because after more than 40 years and as many films, the rules of Woody-land seem as fixed and immutable as the […]