> Due to the Martin Luther King holiday on Monday, all studios are estimating low Sunday drops, although some are projecting more aggressively than others. UNIVERSAL: CONTRABAND held almost even on Saturday, which is good for an action movie, and is projecting a reasonable (given the holiday) 21% drop on Sunday. It should get to […]
> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit. This is because, apart from its hugely engaging cast and, to be sure, some effective writing and directing, it’s really not a “film festival” movie at all, but a […]
Based on Friday’s and Saturday’s grosses, weekend #46 of 2014 looks like $135 million for the top 12 films Friday-Sunday, up from yesterday’s estimate ($128 million) but still down 29% the norm for this weekend ($191 million) but up (+13%) from the same weekend last year. Opening at 3,154 theaters, Dumb and Dumber To from Universal grossed $14.2 […]
Based on Friday’s and Saturday’s grosses, Weekend #51 of 2013 now looks like $137 million for the top 12 films from Friday-Sunday, up substantially from the same weekend last year (see comparisons to previous years at the bottom). Opening at 3,507 theaters Wednesday, Anchorman 2: The Legend Continues from Paramount grossed $13.2 million before Friday ($8.1 Wednesday […]
> Worth A Ticket: A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season. It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]
PROJECT X: Not Even For Free – Don’t RSVP How is it that no one has yet produced a 3D found-footage movie? You’d think the combination of the most (usually) mind-numbing gimmicks of the past decade would be a commercially sure bet, but so far it’s an untapped market. Meanwhile we have PROJECT […]
THE CABIN IN THE WOODS: Watch it At Home – Clever and Culty Seeing THE CABIN IN THE WOODS is sort of like being in Fight Club: the first rule is not to talk about it. Or, at least, not to reveal any of the wild, ingenious twists put into place by its […]
> There’s been quite a bit written in the last few years about the phenomenon of US films doing much better business overseas than domestically, sometimes more than making up for American disappointment or failure–and rightly so, as a glance at Mitch Metcalf’s chart today confirms. Indications are that the latest Harry Potter and Transformers […]