Thursday night’s Winter Olympic coverage from Sochi averaged a 5.9 adult 18-49 rating in the fast nationals from 8-11 pm on NBC. This is down one tenth from last Thursday’s first-ever Opening Ceremony-eve coverage (a 6.0 rating when no medals where at stake). Also, last night’s coverage was slightly behind the the same night in […]
BROADCAST FINALS ABC: The line-up was preempted last week for the Oscars, and returned with AMERICA’S FUNNIEST HOME VIDEOS down 0.25 to 0.47, AMERICAN IDOL down 0.13 to 0.59, and THE COMPANY YOU KEEP up 0.04 to 0.27. CBS: 60 MINUTES benefitted from afternoon NCAA TOURNAMENT games at 1.43/2.40/2.64 and rose four-tenths to 0.93. […]
Here are the weekend sports ratings for Saturday and Sunday July 16-17, 2016. Eligible programs include sporting events on broadcast and cable networks (minimum audience size 150K P2+). Programs are grouped by sport and ranked within each sport by P2+ audience size. For comparison, here is the same chart for the same weekend last year, July […]
Note: all holdovers will show unusually sharp Friday-to-Friday declines due to Valentine’s Day last week, and should recover somewhat over the course of the weekend. OPENINGS: 3 DAYS TO KILL (Relativity), with a $4M Friday and likely $12M weekend, won’t accomplish its goal of establishing Kevin Costner as the next elder statesman action-hero a […]
BROADCAST FINALS ABC: After a rerun of THE CONNERS at 0.31, THE GOLDBERGS was steady at 0.34, ABBOTT ELEMENTARY gained 0.08 to 0.53, NOT DEAD YET dropped 0.05 to 0.26, and A MILLION LITTLE THINGS held at 0.21. CBS: SURVIVOR remained at 0.71. Following a rerun at 0.21, TRUE LIES held at 0.23. NBC: […]
> SMASHWatch is grinning this morning, but should it be? NBC: Airing against repeats on both of the other networks, SMASH was up a big 0.4 to 2.7, a healthy number for any 10PM drama these days. So… yay? Maybe, but the show itself continues to get markedly worse, moving with near-rocket speed from “potential […]
The only thing more boring than a typical Oscars is one without surprises, and the closest thing to a major upset this year turned out to be Disney’s loss in the Best Animated Short category. (The studio almost instantly rebounded with the much more important Animated Feature prize for Frozen.) All the conventional wisdom […]
OPENINGS: History seems to be repeating itself for filmmaker Kelly Fremon Craig, whose extremely well-reviewed ARE YOU THERE GOD? IT’S ME, MARGARET (Lionsgate) opened with a soft $6.8M (and that studio estimate assumes an unusually strong Sunday). That’s very similar to Craig’s also critically-praised 2016 The Edge of Seventeen, which had a $4.9M opening […]