PaleyFest tried something a little different tonight as part of a rambunctious celebration of COMMUNITY, replacing the usual screening with a live table read that featured most of the regular cast, aside from Donald Glover and–of course–Chevy Chase (Fred Willard subbed for Chase).  Slightly disappointingly, the episode read was last month’s series premiere, so […]

>    With a summer movie season bracketed by the first weekend in May on one end, and Labor Day on the other, we’ve reached the midpoint of 2011’s array of blockbusters, and for the next week, here at SHOWBUZZDAILY, we’ll be providing our judgments on how the studios are doing.  US Grosses are as […]

  Several of Tuesday’s shows returned from the Olympics break a bit lower than they left. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over […]

  No studio dared to challenge OZ THE GREAT AND POWERFUL (Disney) in any meaningful way on its second weekend, and Sam Raimi’s extravaganza will romp to another weekend win–but that’s not to say it’s doing so with particularly impressive numbers.  Based on preliminary estimates at Deadline, Oz will have an $11M Friday, which would […]

The Voice sings sweetly for NBC, NBC:  To the great relief of NBC, THE VOICE returned with a 4.7 rating, higher than the show’s fall average and just slightly below the highest rating of its fall cycle.  (It was, however, somewhat below the numbers for spring 2012.)   REVOLUTION may be more problematic.  Although its 2.7 rating was solid, […]

> See A Word About Busted Pilots If it’s a procedural, this must be CBS.  HAIL MARY was one of the pilots that had initial buzz around town, and it boasted a casting coup with Minnie Driver in the lead (her first network show after doing The Riches for FX), but it’s not hard to […]

  MINIONS (Illumination/Universal) was expected to enfold the weekend box office in its little yellow fingers, and so it is.  Preliminary numbers at Deadline give it a $45M opening day, which appears to be the largest opening in the history of movie animation (the asterisk is because we now consider “Friday” to include Thursday night, […]

  Hannibal doesn’t have much of an appetite.   NBC:  The positive spin on HANNIBAL‘s 1.6 debut is that it’s better than NBC has done in that awful timeslot in roughly a year, and a considerable boost from its lead-in.  Nevertheless, a 1.6, mired in last place for the hour, is hardly anything to celebrate, […]