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SMASH-watch continues, on a very atypical night.

CBS: The racing on FOX took a big bite out of CBS’ schedule, as every show but one hit a new season low that went below even the previous season bottoms set just 2 weeks ago. (The exception was HOW I MET YOUR MOTHER, which managed to rise 0.2 above that mark, although it was down from last week.) MIKE AND MOLLY was particularly hard-hit, down half a ratings point from the previous low.
ABC: NASCAR was no problem for ABC, where THE BACHELOR and CASTLE were both up from last week (albeit in both cases just 0.2 above season lows).
FOX: All this tumult was just great as far as FOX was concerned: the final NASCAR number should more than double the ratings that House and Alcatraz have been getting. (Scheduling footnote: it seems that the result of the disruption is that Alcatraz, rather than airing its season finale as part of next week’s 2-hour episode, will instead broadcast the finale on March 12 as a lead-in to the repeat of TOUCH‘s pilot.)
CW: GOSSIP GIRL and HART OF DIXIE both aired their last new episodes until April. and each was at a mediocre 0.5, which was steady for Gossip and down slightly for Dixie.
Tonight NBC airs the season finale of its eternally underrated, under-watched PARENTHOOD (let’s hope the network’s Promo Dept left something unspoiled from the episode). FOX has a special 2-hour AMERICAN IDOL before its 4-sitcom Tuesday debuts next week. Meanwhile, CW continues its curious scheduling decision to give a new RINGER episode the lead-in of a repeat Hart of Dixie. (After that, for at least a couple of weeks, Tuesday will be the only new scripted night on its schedule.)
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About the Author
Mitch Salem
MITCH SALEM has worked on the business side of the entertainment industry for 20 years, as a senior business affairs executive and attorney for such companies as NBC, ABC, USA, Syfy, Bravo, and BermanBraun Productions, and before that, at the NY law firm of Weil, Gotshal & Manges. During all that, he has more or less constantly been going to the movies and watching TV, and writing about both since the 1980s. His film reviews also currently appear on screened.com and the-burg.com. In addition, he is co-writer of an episode of the television series "Felicity."
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