Author Archive
 

 

SHOWBUZZDAILY’S BEHIND THE WEEKEND BOXOFFICE – 9/30/12

Audiences decide they want to see movies again. OPENINGS:  With the market starved for family entertainment (the last major animated opening was Ice Age 4 back in July), HOTEL TRANSYLVANIA (Sony) and its $43M smashed the Septe...
by Mitch Salem
 

 
 

WE’RE BACK

  Apologies for the last 24 hours of silence here at SHOWBUZZDAILY–that old stand-by “technical difficulties” applies.  We weren’t able to get on the site to file anything, but things seem to be ba...
by Mitch Salem
 

 

 

THE SKED SUNDAY NETWORK SCORECARD – 9/30/12

People aren’t all that interested in renting an apartment from the devil. ABC:  666 PARK AVENUE won the battle of scripted hours at 10PM (both way behind NFL Football, of course), but it lost a third of its lead-in and h...
by Mitch Salem
 

 
 

SHOWBUZZDAILY AWARDSWATCH: Oscar Guy

  The success of TED having made Seth MacFarlane a legitimate name in the movie universe, the Academy and ABC have decided to make him an unexpected choice to host nest year’s Academy Awards telecast.  This isn̵...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Happy Endings”

  HAPPY ENDINGS:  Tuesday 9PM on ABC WHERE WE WERE:  Chicago, where six of the oddest balls on television hang out.  When last seen, Alex (Elisha Cuthbert) and Dave (Zachary Knighton), who started the whole show off whe...
by Mitch Salem
 

 
 

THE SKED: Showtime’s Big Night

  The Sunday cable numbers will mostly be released tomorrow, but Showtime was in an understandable hurry to get out the fast news about last night’s numbers. In total audience (the 18-49 demo numbers are still in pro...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Homeland”

  HOMELAND:  Sunday 10PM on Showtime WHERE WE WERE:  Wincing, as bipolar CIA agent Carrie Mathison (Claire Danes) underwent electroshock therapy, which we knew was going to make her forget the proof she had that former P...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Once Upon A Time”

  ONCE UPON A TIME:  Sunday 8PM on ABC WHERE WE WERE:  Watching a season finale that looked like it could end the series, as Emma Swan (Jennifer Morrison), AKA the daughter of Snow White/Mary Margaret Blanchard (Ginnifer...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Dexter”

  DEXTER:  Sunday 9PM on Showtime WHERE WE WERE:  In a frozen instant of time, as Detective Debra Morgan (Jennifer Carpenter) watched her adopted brother Dexter (Michael C. Hall), a blood spatter expert on her own forens...
by Mitch Salem
 

 
 

THE SKED’S NIELSENWAR CHRONICLES: Week 1

  So:  what do we know now that we didn’t know a week ago? THE SWALLOWS AREN’T RETURNING TO CAPISTRANO.  Generally speaking, the TV season has a dynamic that repeats each year.  Every fall, viewers turn up i...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Partners”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SKED’S MONDAY NETWORK SCORECARD – 10/1/12

A genuine changing of the guard. NBC:  REVOLUTION slipped a bit last night (to 3.2), but it commandingly beat up both CBS and ABC, and is looking like a true hit, at least in the short term.  THE VOICE, of course, provided a ...
by Mitch Salem
 

 

 

THE SKED’S SEASON PREMIERE REVIEW: “Revenge”

  REVENGE:  Sunday 9PM on ABC WHERE WE WERE:  Discovering that the long-vanished mother of Emily Thorne (Emily VanCamp), who’s really Amanda Clarke (don’t get us started), is actually alive.  This was among ...
by Mitch Salem
 

 
 

THE SKED’S NIELSENWAR: The First Back Orders

  NBC understandably wants to shout its early-season good tidings as loudly as possible, and to that end it’s given very quick back orders (9 additional episodes on top of the 13-episode initial order) to REVOLUTION,...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Vegas”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem