Author Archive
 

 

THE SKED’S MONDAY NETWORK SCORECARD – 10/15/12

You say you want a Revolution. NBC:  REVOLUTION, coming off its best episode thus far, leaped up 0.4 from last week to 3.4, making it by a substantial margin the biggest 10PM hit on broadcast TV.  Its lead-in from THE VOICE w...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Major Crimes”

  MAJOR CRIMES has been doing for TNT what it was created to do–that is, fill the hole left by the departure of the network’s long-running hit The Closer–and it’s earned the Season 2 renewal it̵...
by Mitch Salem
 

 

 

THE SKED’S SUNDAY CABLE SCORECARD – 10/14/12

  Zombies take over the world. AMC:  As yesterday’s numbers had promised, THE WALKING DEAD was a monster in more ways than one.  With a 5.8 18-49 rating in its 9PM airing and an additional 1.9 for the 10PM rebroadc...
by Mitch Salem
 

 
 

THE SKED: TUESDAY NETWORK SCORECARD – 10/16/12

Last night’s breakout star has a day job.  Someone sign the President to a development deal… in four years. CW:  The gambit of launching EMILY OWENS MD while the debate occupied all the other broadcast networks di...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Chicago Fire”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Arrow”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Suburgatory”

  SUBURGATORY:  Wednesday 9:30PM on ABC WHERE WE WERE:  Meeting Grandma.  In the season finale, having survived her first year in the titular Chatswin, Tessa (Jane Levy) met her long-absent mother’s mom–on M...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Nashville”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE SKED: Baseball Beans FOX

  Last night’s intermittent rain delay in the St. Louis/San Francisco NATIONAL LEAGUE BASEBALL PLAYOFFS game caused a potential 2-night disaster for FOX (but an unexpected opportunity for ABC). The game had started a...
by Mitch Salem
 

 
 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 10/17/12

Only one of last week’s premieres held its number. CW:  What does it say about the broadcast season when the only good news on a fall night came from CW?  ARROW is looking like a genuine hit with a steady 1.3, beating h...
by Mitch Salem
 

 

 

THE SKED: “American Horror Story” Draws Shrieks of Ratings Delight

  AMERICAN HORROR STORY returned last night with a different storyline, setting and cast, and also brought along some new viewers to scare.  Last night’s Season 2 debut had what should end up as a 2.0 18-49 rating, ...
by Mitch Salem
 

 
 

THE SKED: “Animal Practice” Is Put Down

  Rizzo RIP. Last night’s 1.0 rating was too much for even NBC to stomach, and ANIMAL PRACTICE is the Peacock’s first victim of the season.  The show will continue to go through the motions for 3 more weeks, w...
by Mitch Salem
 

 

 

THE SKED: “Copper” Keeps Its Badge

  BBCAmerica has renewed its first original scripted drama COPPER for a 2d 13-episode season in 2013.  The network claims a total audience of 1M+ per episode, but that must count multiple airings and other platforms, sinc...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Alex Cross”

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but the...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Beauty and the Beast”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem