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Reviews

SHOWBUZZDAILY Season Finale Review: “Fargo”

  FX’s just-concluded third season of Noah Hawley’s FARGO was its most divisive, and the criticisms came from a number of directions.  One segment was simply done with Hawley’s theme-and variations appro...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY’s Tuesday 12.21.2021 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  The season finale of THE BACHELORETTE was at 0.74, up 0.05 from last week but down sharply from last year’s 1.4.  An AFTER-SHOW followed at 0.58. CBS:  Reruns at 0.38/0.30. NBC:  Reruns a...
by Mitch Salem
 
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Articles

THE SKED PILOT REPORT: PREMIERING TONIGHT – “NYC 22”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Blue Is the Warmest Color”

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated,...
by Mitch Salem
 
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THE BIJOU REVIEW: “The Guard”





Our Review / 5 - Terrible
by Mitch Salem
0
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Articles

THE SKED: Wednesday Ratings Projections — UPDATED

>   A few notes: these projections are for original episodes (no repeats) aired in the 4th quarter of 2011.  Series premieres will likely be .3-.4 higher, thanks to network marketing pushes, and then tend to go down o...
by Mitch Salem
 
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Midseason Premiere

SHOWBUZZDAILY Series Premiere Review: “12 Monkeys”

  12 MONKEYS:  Friday 9PM on Syfy – If Nothing Else Is On… Last year, the writer/producer Noah Hawley miraculously inhabited Joel and Ethan Coen’s Fargo, creating something that was original and yet sa...
by Mitch Salem
 
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Archive

THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 
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Articles

THE SKED’S TUESDAY NETWORK SCORECARD – 2/12/13

Thanks to the State of the Union Address, there was virtually no original programming on the broadcast networks last night. ABC:  You’d think things were set up perfectly for THE TASTE to overperform, with nothing but re...
by Mitch Salem
 
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Articles

EARLY FRIDAY BOX OFFICE: “Spectre,” “Peanuts Movie” Mow Down Newcomers

  No one expected this weekend’s soft new arrivals to come near last week’s holdovers, and they’re not.  LOVE THE COOPERS (CBS/Lionsgate) is at least creditable, according to preliminary numbers at Deadl...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Turn”

  TURN seemed to have its finger on a fascinating footnote to American history, telling the story of colonial undercover spies during the Revolutionary War under the direction of George Washington, but it’s never suc...
by Mitch Salem
 
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Pilot Reports

THE SKED PILOT REVIEW: “Bates Motel”

  BATES MOTEL:  Monday 10PM on A&E The idea of a pilot is to provide a template for the series that’s to come, but while the first hour of BATES MOTEL is accomplished and well-acted, it’s difficult to tell...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 9.27.2016

  Just about everything took the expected Week 2 dip. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 rating...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “Gossip Girl”

  GOSSIP GIRL:  Monday 9PM on CW WHERE WE WERE:  Blair (Leighton Meester) with Chuck (Ed Westwick), and then not.  Serena (Blake Lively) with Dan (Penn Badgley), and then not.  Mix, then repeat.  Other things happened...
by Mitch Salem
 
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Archive

THE SHOWBUZZDAILY REVIEW: “Straw Dogs”

    STRAW DOGS:  Watch It At Home – Pointless In Every Way   Forget about the artistic comparisons, the insult to film history, and the lack of respect to a great filmmaker no longer with us.  There’...
by Mitch Salem
 
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