Author Archive
 

 

TORONTO FILM FESTIVAL REVIEW: “Philomena”

  In recent years, the… let’s call it mature audience has been a profitable one, making moderate hits of films like The Best Exotic Marigold Hotel and Quartet.  This holiday season, the title of choice fo...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “The Newsroom”

It is, to be honest, somewhat difficult to focus on the clatter of THE NEWSROOM on the same night that Breaking Bad aired one of the most devastating episodes in its history–which made it one of the most devastating h...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Under the Dome”

  UNDER THE DOME hasn’t been particularly important as TV drama, but it’s provided some vital information to the broadcast network business.  After years–decades, really–of treating summer as a re...
by Mitch Salem
 

 
 

PREMIERING TONIGHT: FOX’s “Brooklyn Nine-Nine”

  BROOKLYN NINE-NINE:  Tuesday 8:30PM on FOX – Potential DVR Alert BROOKLYN NINE-NINE is the kind of sitcom that can go very right or extremely wrong:  an ensemble about kooky homicide detectives, anchored by form...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: FOX’s “Dads”

  Read All Our Fall Pilot Reports here. DADS:  Tuesday 8PM on FOX  – Change the Channel It’s hard to believe that the comedy executives at FOX, who have put such high-quality shows as New Girl, The Mindy Proj...
by Mitch Salem
 

 
 

THE SKED Midseason Finale Review: “Suits”

  SUITS remains easily the smartest and most entertaining show on USA Network (not to mention one of its biggest hits), but its third season so far hasn’t been the equal of its second.  The series, which reached it...
by Mitch Salem
 

 

 

THE SKED’S NETWORK SCORECARD – 9/17/13

  FOX continued to reap some benefit from its early premiere week. FOX:  The premiere of DADS had a 2.1, better than last season’s Raising Hope debut (1.7), but facing atypically weak competition on the other ne...
by Mitch Salem
 

 
 

THE SKED NETWORK SCORECARD – 9/18/13

  The rollout of pre-premiere week arrivals continued. CBS:  The fall premiere of SURVIVOR was a heavy 0.6 below last September’s debut, 2.6 compared to 3.2.  However, on the glass half-full side, it was 0.2 abov...
by Mitch Salem
 

 

 

THE SKED NETWORK SCORECARD – 9/19/13

  FOX’s X Factor problem is becoming a crisis. FOX:  THE X FACTOR fell another 0.3 from last week’s lackluster premiere to a series-low 1.9–and that’s before the regular season competition has even...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “Last Man Standing”

  LAST MAN STANDING:  Friday 8PM on ABC If your heart beats faster when you hear the retro sound of a voice saying “Last Man Standing Is Recorded Before A Live Studio Audience,” then to paraphrase Jeff Foxwort...
by Mitch Salem
 

 

 

THE SKED Season Premiere Review: “The Neighbors”

  THE NEIGHBORS:  Friday 8:30PM on ABC THE NEIGHBORS was last season’s reminder that a pilot isn’t the final word on a series.  In fact, neither are the first several episodes.  It took a while for Dan Fogel...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Prisoners” Has the Key

  Preliminary numbers at Deadline give PRISONERS (Warners) an easy win on Friday and almost certainly for the weekend, with a $7.5M opening day that should mean $20-22M by Sunday.  Warners is following the Argo playbook w...
by Mitch Salem
 

 

 

THE SKED NETWORK SCORECARD – 9/20/13

  Friday wasn’t a friendly neighborhood for ABC’s new arrival. ABC:  THE NEIGHBORS arrived on Fridays with a 1.2 thud, down from all its Wednesday numbers and also down 0.3 from its LAST MAN STANDING lead-in.�...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOX OFFICE – 9/20/13

  OPENINGS:  PRISONERS (Warners) came in at $7M on Friday, a bit less than the initial $7.5M estimate.  That could indicate cooling word-of-mouth as the evening went on, or just overenthusiastic estimators.  The number ...
by Mitch Salem
 

 

 

EARLY WEEKEND BOX OFFICE: “Prisoners” Still In Front

  PRISONERS (Warners) had a strong Saturday at the box office, according to preliminary numbers at Deadline.  The dark thriller increased by 28% on its second day to $9M, and should reach $21-22M for the weekend.  That w...
by Mitch Salem