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EARLY WEEKEND BOXOFFICE: “Identity Thief” Tries To Snatch Win From “Snitch”

  SNITCH (Summit/Lionsgate) held fairly well on Saturday, with a 40% bump, and as a result, the weekend race between it and IDENTITY THIEF (Universal) is currently too close to call, although preliminary numbers at Deadlin...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: It’s “Dawn” of the Box Office of the Apes

  Early numbers at Deadline and elsewhere make DAWN OF THE PLANET OF THE APES (20th) the runaway winner at the Friday box office with $26-27M.  That could give it a weekend as high as $70M, at the high end of expectations...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Annabelle: Creation” Solid, “Nut Job 2″” & “Glass Castle” Weak

  ANNABELLE: CREATION (New Line/Warners) will easily take the weekend.  According to preliminary numbers at Deadline, opening day was $15.1M, slightly below the $15.5M for 2014’s original Annabelle, but Creation is ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “How I Met Your Mother”

  In HOW I MET YOUR MOTHER, Carter Bays and Craig Thomas created an odd but appealing mix of traditional sitcom humor and conceptual originality (their upcoming FOX show The Goodwin Games looks like another unusual angle o...
by Mitch Salem
 
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THE SKED NETWORK SCORECARD – 10/31/13

  It’s never good news for the networks when the calendar brings typically low-rated Halloween–lots of parents and others with other plans–into November sweeps. ABC:  By 8PM most kiddies were back from t...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Scandal”

  Watching Shonda Rhimes’ SCANDAL has more than once been likened to an addiction, and as with a drug, the danger is that users will build up a tolerance over time, requiring more and more to achieve the same high. ...
by Mitch Salem
 
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THE BIJOU REVIEW: “The Girl With the Dragon Tattoo”





Our Review / 5 - Terrible
by Mitch Salem
0
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Articles

BIJOU BOXOFFICE: FRIDAY STUDIO SCORECARD – 11/18/11

> BREAKING DAWN PART 1:  Christmas comes but once a year, and for Summit that day is the 24 hours after a Twilight movie opens.  (A little credit to the studio, too, for not fudging the numbers, which would have been ...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY’s State of the Studio: Disney

  The calendar may have us at barely mid-July, but for the major movie studios, the summer season has already peaked.  The would-be, sometimes-are blockbusters have been arriving since the first weekend in May, and althou...
by Mitch Salem
 
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Articles

THE SKED: Thursday Ratings – Network Scorecard – 11/3/11

> With baseball out of the way, last night was a picture of what a “typical” Thursday will look like. FOX:  The return of BONES was a very healthy 0.6 higher than its season premiere last year (when it was in t...
by Mitch Salem
 
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Articles

UPDATED: “Hunger Games” Box Office: “Mockingjay” Flies Low In Debut

    FRIDAY AFTERNOON UPDATE:  Both Variety and The Hollywood Reporter are reporting, based on Friday afternoon sales, that MOCKINGJAY is going to substantially underperform THE HUNGER GAMES and CATCHING FIRE for the ...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Premiere Review: “The Strain”

  THE STRAIN:  Sunday 10PM on FX The decision to make Season 4 of FX’s THE STRAIN its last (a year earlier than the originally announced plan) meant that there was a lot of story to cram into 10 hours, and tonight&#...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “King & Maxwell”

  KING & MAXWELL isn’t the kind of show you’d particularly expect to see evolve between its premiere and season finale, and in fact it didn’t.  That’s too bad, because the TNT series, developed...
by Mitch Salem
 
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Articles

THE SKED SUNDAY CABLE RATINGS SCORECARD – 12/8/13

  A&E/LIFETIME/HISTORY:  Part 1 of BONNIE & CLYDE performed moderately well, aggregating a 2.8 rating in 18-49s with 1.0 each on A&E and History and 0.8 on Lifetime.  It’s a fairly big number when you a...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 6.5.2022

  OPENINGS:  David Cronenberg is a venerated filmmaker, but not a source of many box office hits:  in a career that spans more than 4 decades, his highest-grossing film in the US is still 1986’s The Fly at $40.5M (...
by Mitch Salem
 
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