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THE SKED NETWORK SCORECARD – 1/17/14

  FOX:  Any hope that ENLISTED could find itself some helpful word-of-mouth faded as its 2d episode fell 0.1 from the premiere to 0.6.  It was again 0.1 below RAISING HOPE, itself down 0.1 to 0.7.  Neither could compla...
by Mitch Salem
 
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Articles

Behind the Friday Box Office – 1/17/14

  OPENINGS:  Kevin Hart has been hanging around the edges of being a movie star for a few years now, and RIDE ALONG (Universal) makes it official.  With a $14.5M Friday start, it could challenge Cloverfield for the Marti...
by Mitch Salem
 
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Articles

OSCARLAND: “American Hustle” Takes Top Prize At the SAG Awards

  AMERICAN HUSTLE walked away with the big prize at tonight’s Screen Actors Guild Awards, winning the accolade for Best Ensemble Cast of a Motion Picture.  Although the Ensemble Cast Award is commonly considered SAG...
by Mitch Salem
 
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Other

THE SKED Review: “Saturday Night Live” with Drake

  Tonight’s footnote to SATURDAY NIGHT LIVE history was that it featured the debut of new cast member Sasheer Zamata, who is, not incidentally, an African-American woman–“not incidentally” only beca...
by Mitch Salem
 
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Articles

Behind the Weekend Box Office – 1/19/14

  OPENINGS:  After a 15% Saturday bump to $16.7M, RIDE ALONG (Universal) seems assured of beating Cloverfield‘s $46.1M record for the 4-day Martin Luther King Day weekend (Ride Along is reporting $41.2M for Fri-Sun,...
by Mitch Salem
 
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Articles

OSCARLAND: Producers Guild Produces a Tie

  The Producers Guild of America didn’t clarify much of anything tonight by giving its Best Picture award to both 12 YEARS A SLAVE and GRAVITY.  That provided all 3 of the presumed frontrunners with a prize for the ...
by Mitch Salem
 
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Midseason Premiere

THE SKED Season Premiere Review: “The Following”

  THE FOLLOWING:  Monday 9PM on FOX (starting Jan 27) The blood-drenched, increasingly grandiose literary pretensions of THE FOLLOWING grew tiresome by the end of last season’s run.  It seemed like very good news t...
by Mitch Salem
 
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Pilot Reports

THE SKED Series Premiere Review: “Looking”

  LOOKING:  Sunday 10:30PM on HBO – Worth A Look HBO’s LOOKING is distinctive for the obvious reason that it’s a dramedy about gay characters, of a completely different order than the network universe of...
by Mitch Salem
 
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Articles

THE SKED NETWORK SCORECARD – 1/19/14

  Things went about as expected on the night of the NFC Championship Game. NBC:  We expect the NFC CHAMPIONSHIP GAME to adjust to 18.8 once west coast timezones are taken into account.  You can find more detail about the foo...
by Mitch Salem
 
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Midseason Finale

THE SKED Season Finale Review: “Sleepy Hollow”

  SLEEPY HOLLOW has grown into one of the (few) pleasant surprises of the fall network season, a keenly judged mix of supernatural folderol, increasingly well-drawn characters and light time-travel comedy.  Enough of a hi...
by Mitch Salem
 
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Articles

THE SKED NETWORK SCORECARD – 1/20/14

  Anybody want to debate the importance of a lead-in from The Voice? NBC:  For the second consecutive week, THE BLACKLIST had a reduced, non-Voice lead-in (this week it was the season premiere of HOLLYWOOD GAME NIGHT, its...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “The One I Love”

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “The Skeleton Twins”

  Star power makes all the difference  in THE SKELETON TWINS.  Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance:  siblings bound together, whe...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Happy Christmas”

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the sta...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Obvious Child”

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire crit...
by Mitch Salem
 
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