Author Archive
 

 

SHOWBUZZDAILY Series Finale Review: “The Leftovers”

  There was a lot of attention paid to the amount of attention paid to the series finale of HBO’s THE LEFTOVERS, almost all of it because its co-creator was Damon Lindelof, and the last time he brought a series to it...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Snowfall”

  SNOWFALL:  Wednesday 10PM on FX – In the Queue It used to make sense to judge a new TV series based on its pilot, because the pilot was a template of all the episodes that would follow.  In the serialized, bingea...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Gotham”

  No mainstream comic book saga revels in its darkness quite as much as FOX’s GOTHAM.  Its sheer viciousness is particularly impressive since it exists in a universe of broadcast standards and practices that now see...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Premiere Review: “Orphan Black”

  ORPHAN BLACK:  Saturday 10PM on BBCAmerica A somewhat meta line of dialogue about “consolidation” is a sign that ORPHAN BLACK has commenced its final (and 5th) season.  Series creators Graeme Manson and Joh...
by Mitch Salem
 

 

 

Behind the US/Worldwide Studio Scorecard – 6.11.2017

  OPENINGS:  In the US, the launch of THE MUMMY (Perfect World/Universal) could hardly have gone worse with a $32.2M weekend.  Although it’s higher than the openings for Tom Cruise’s recent Jack Reacher title...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 6.12.2017

  The NBA ended its season in a big way. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Better Call Saul”

  BETTER CALL SAUL reminds us that a gripping tale about well-drawn characters can hold audiences even if it’s not the story they thought they wanted to see.  Although it’s an off-shoot of Breaking Bad, Saul r...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Blood Drive”

  BLOOD DRIVE:  Wednesday 10PM on Syfy – If Nothing Else Is On… Syfy is in the midst of a rebranding, the focal point of which seems to be a new font for its logo.  Creatively, if the premiere of BLOOD DRIVE ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Series Premiere Review: “The Mist”

  THE MIST:  Thursday 10PM on Spike – Change the Channel THE MIST is far from the most imaginative or robust of Stephen King’s works.  King has rarely been accused of too much concision, but he was only able ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Finale Review: “Reign”

  Many remarkable things have happened in the world of television over the past few years, but none may be odder than the fact that a story about the 16th century Mary, Queen of Scots ran on network TV for four seasons.  ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 6.18.2017

  OPENINGS:  Despite the advantage of a Father’s Day weekend start, CARS 3 (Pixar/Disney) had the lowest opening of its franchise with $53.5M, 19% below Cars 2, and even 11% behind 2006’s original Cars.  It&#...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “American Gods”

  It’s been fascinating to watch AMERICAN GODS play out side-by-side with David Lynch’s rebooted Twin Peaks on the past several Sunday nights, because Bryan Fuller (who created the TV version of Gods with Micha...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Broadchurch”

  BROADCHURCH – Wednesday 10PM on BBCAmerica One of the first things shown in the Season 3 premiere of BROADCHURCH is a looming close-up of a tear rolling down a crime victim’s face, so we know little has chan...
by Mitch Salem
 

 
 

The Sked: Sunday Network Scorecard 6.25.2017

  Some improvement for ABC’s game show line-up. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 rating...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: “Transformers” Clanks, “Wonder Woman” Holds, “Big Sick” & “Beguiled” Open Well

  Its studio did everything in its corporate power to keep the quality of TRANSFORMERS: THE LAST KNIGHT (Huahua/Paramount) from infecting ticket sales, preventing any reviews from appearing until the projectors had started...
by Mitch Salem