Author Archive
 

 

FAST FIVE: Boxoffice Express

> Worth a Ticket:  Diesel and The Rock keep their pedals to the metal. If you want to feel truly American, try reflecting on the new FAST FIVE while wall-to-wall coverage of the British royal wedding is airing on the telev...
by Mitch Salem
 

 
 

OSCARLAND: SHOWBUZZDAILY’s Complete and “Final” Oscar Predictions

  The following are my final predictions for the 2014 Academy Awards (you can find a much more detailed analysis for all the major categories in our Why and Why Not? posts).  Keep in mind:  (a) I’m often wrong, (b)...
by Mitch Salem
 

 

 

Behind the Worldwide Weekend Box Office – 5/25/14

  (Note:  Most of the studios aggressively estimated their Sunday declines as being around 10%, even though last year’s Memorial Day Weekend Sunday drops were mostly steeper than that, so there could be a number of ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Now You See Me”

  NOW YOU SEE ME:  Watch It At Home – Don’t Look Too Closely A summer action movie, like a magic act, is only as good as its final trick, and the one in the relatively low-budget NOW YOU SEE ME (which this sea...
by Mitch Salem
 

 

 

THE SKED: “Homeland” Stays Home At Showtime

> Four weeks into its initial season, HOMELAND has received a 2d season order from Showtime.  Although the series’ ratings haven’t been stellar–it routinely loses at least half the audience of its Dexter ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’s Top 100 Wednesday Cable Originals (& Network Update): 6.10.2015

  NETWORK UPDATE:  CELEBRITY WIFE SWAP and THE BRIEFCASE each gained 0.1 in final numbers. CABLE HIGHLIGHTS:  NBC Sports Net took the night’s cable honors with a 1.33 rating for Game 4 of the STANLEY CUP FINALS.  ...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE – 3/24/13

  OPENINGS:  The only reason to make a movie like THE CROODS (DreamWorks Animation/20th) is to get a piece of the remarkable overseas business that the Ice Age franchise sees ($716M on the last one alone), but so far,...
by Mitch Salem
 

 
 

WEEKDAY UPDATE MON-TUE APR 11-12: The Weak Get Weaker

> The magic number for mid-week box office (Monday-Tuesday combined) is 20% of the opening weekend.  None of the films opening this past weekend hit that mark this week, indicating soft long-term playability for what was a...
by Mitch Salem
 

 

 

THE SKED Pilot Review: “Halt and Catch Fire”

  HALT AND CATCH FIRE:  Sunday 10PM on AMC – Potential DVR Alert HALT AND CATCH FIRE won’t remind you much of The Social Network.  (Or for that matter of Silicon Valley.)  Set in 1983 Texas and written by fi...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office

  OPENINGS:  LITTLE (Legendary/Universal) led the weekend’s weak crop of newcomers with $15.5M, buoyed by a 15% Saturday bump.  That’s about 15% below the recent opening of What Men Want, which was aimed at a...
by Mitch Salem
 

 

 

THE SKED NETWORK SCORECARD – 10/31/13

  It’s never good news for the networks when the calendar brings typically low-rated Halloween–lots of parents and others with other plans–into November sweeps. ABC:  By 8PM most kiddies were back from t...
by Mitch Salem
 

 
 

PREMIERING TONIGHT: THE SKED PILOT REVIEW – CBS’s “Mom”

  Read All Our Fall Pilot Reports here. MOM:  Monday 9:30PM on CBS starting Sept. 23 – Worth A Look The Chuck Lorre sitcom machine is a major reason that CBS is the most successful of the Big Four networks.  The Bi...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Series Finale Review: “The Following”

  Hardly anyone who wasn’t earning a paycheck from Kevin Williamson’s THE FOLLOWING will miss it.  It was as close as any network series has ever come to torture porn, with at least one or two innocents being ...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Saturday Night Live” with Adam Levine

SATURDAY NIGHT LIVE didn’t exactly hide its fears about Adam Levine’s comic chops as host when the show loaded up his opening monologue not only with the inevitable The Voice parody, but with guest “mentors...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Good House,” “Where Is Anne Frank” & “Official Competition”

  THE GOOD HOUSE (DreamWorks – TBD):  By my count, it’s been two full decades since Sigourney Weaver was at the center of a feature film (that was Heartbreakers, where she shared the spotlight with Jennifer Lo...
by Mitch Salem