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UPDATED: THE SKED’S THURSDAY NETWORK SCORECARD – 9/27/12

[UPDATE:  As expected, the post-football numbers for NBC left its shows with ratings virtually identical to last week’s.  Optimists might say that’s an accomplishment with this week’s much stronger competiti...
by Mitch Salem
 

 
 

THE SKED NETWORK SCORECARD – 1/26/14

  The Grammy Awards had no trouble singing its song last night. CBS:  THE GRAMMY AWARDS were down slightly (0.2) from last year to 9.9 in adjusted numbers, probably because the show ran so far past primetime to an Oscar-level...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Getting On”

  HBO’s GETTING ON was generally close to unwatchable, and that’s meant as sort of a compliment.  Even in the world of pay-TV, where ratings aren’t always at the forefront of a network’s expectatio...
by Mitch Salem
 

 
 

THE SKED’S SEASON PREMIERE REVIEW: “Private Practice”

  PRIVATE PRACTICE:  Tuesday 10PM on ABC WHERE WE WERE:  Absorbing a lot of drama.  Pete (Tim Daly) was arrested for his part in a mercy-killing.  Addison (Kate Walsh), having chosen to finally begin her romance with J...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “Women Talking” & “Saint Omer”

  WOMEN TALKING (UA/MGM/Amazon – December 9):  In an insular Mennonite community, the woman have always believed what the men told them, that when they awake to discover evidence of sexual assault and thereafter som...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’s Tuesday 11.1.2022 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  BACHELOR IN PARADISE fell 0.14 to 0.49, and THE ROOKIE: FEDS ticked up to 0.25. CBS:  Reruns at 0.35/0.30/0.27. NBC:  THE VOICE lost 0.06 to 0.56, LA BREA dipped 0.03 to 0.32, and NEW AMSTERDAM ...
by Mitch Salem
 

 

 

THE SKED MONDAY NETWORK SCORECARD – 4/2/12

> Not even championship basketball can dent SMASHWatch. NBC:   Perhaps the moment last night that most typified the lows SMASH has reached was the bit where Ivy popped pain pills while staring into a mirror affixed wi...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “The Neighbors”

  THE NEIGHBORS:  Friday 8:30PM on ABC THE NEIGHBORS was last season’s reminder that a pilot isn’t the final word on a series.  In fact, neither are the first several episodes.  It took a while for Dan Fogel...
by Mitch Salem
 

 

 

THE SKED: Updated Fall Ratings Projections and Viewing Recommendations

> SHOWBUZZDAILY’S COMPLETE GUIDE TO THE FALL TV SEASON: MONDAY           Rating Projections             &n...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “Save Me”

  SAVE ME had a late start, but it managed to be the worst network show to premiere during the 2012-13 season.  Unspeakably self-righteous, smug and narcissistic–and also not remotely funny–it was a series abo...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.26.2023

  OPENINGS:  NAPOLEON (Apple/Sony) launched at the higher end of expectations, with $20.4M over the 3-day weekend and $32.5M for the 5-day holiday.  As with Apple’s Killers of the Flower Moon, however, that leaves ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MEMORIAL DAY BOXOFFICE SCORECARD

    Beware of studio estimates and round numbers. OPENINGS:  In order to get MEN IN BLACK 3 (Sony) to a round $70M for the 4-day weekend, the studio had to claim the lowest Monday drop of the market’s Top 9 fil...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Chasing Life”

  Not to be cynical, but no show on TV could have an easier time coming up with a season-ending cliffhanger than CHASING LIFE, a YA soap whose heroine is battling leukemia.  For most of the back half of the series’ ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Premiere Review: “Broadchurch”

  BROADCHURCH – Wednesday 10PM on BBCAmerica One of the first things shown in the Season 3 premiere of BROADCHURCH is a looming close-up of a tear rolling down a crime victim’s face, so we know little has chan...
by Mitch Salem
 

 

 

WEDNESDAY BOX OFFICE: “We’re The Millers” and “Percy Jackson” Start Fairly Well

  America’s summer love for R-rated comedies and YA action-adventure sequels isn’t quite over yet.  WE’RE THE MILLERS (Warners) got off to a creditable start with $6.8M on Wednesday (including $1.7M from...
by Mitch Salem