Author Archive
 

 

Behind the US/Worldwide Weekend Box Office – 8.4.2024

  OPENINGS:  TRAP (Blinding Edge/Warners) had the unenviable task of facing the 2nd weekend of Deadpool and Wolverine and wasn’t up to the task, emerging at the low end of expectations with $15.6M.  That’s in...
by Mitch Salem
 

 
 

THE SKED NETFLIX REVIEW: “Hemlock Grove” (Episodes 1-3)

  If Netflix is going to be the 21st-century version of a “network,” its content will eventually have to include all sorts of genres–and the quality, inevitably, will vary as well.  There may be high-cla...
by Mitch Salem
 

 

 

THE SKED Season Premiere Review: “Downton Abbey”

  DOWNTON ABBEY:  Sunday 9PM on PBS In its fourth season as the most successful regular series in PBS history, DOWNTON ABBEY operates as smoothly as a well-staffed ancestral estate.  Even though the larger subject of the...
by Mitch Salem
 

 
 
 
 
 
 
 

THE BIJOU REVIEW: “The Help”





Our Review / 5 - Terrible
by Mitch Salem
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UPDATED: SHOWBUZZDAILY’s Top 150 Wednesday Cable Originals & Network Finals: 3.9.2016

        NETWORK FINALS:  THE CARMICHAEL SHOW’s premiere became even less impressive with a 0.1 dip in final numbers.       Broadcast Official Nationals Program Ratings Chart     ...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Bitten”

  BITTEN:  Monday 10PM on Syfy Syfy’s Canadian werewolf import BITTEN is noticeably low-rent.  Even its transformation sequences use as little CG as possible:  a morphing hand, a back becoming increasingly hairy, ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Fargo”

  FARGO:  Monday 10PM on FX Despite all the pressures of launching a new storyline and cast–not to mention living up to its brilliant first season–Noah Hawley’s reincarnation of the Coen Brothers’ ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Bates Motel”

  The first season of BATES MOTEL pulled one of the season’s more interesting sleights of hand.  In theory a prequel to Psycho, more often than not it used the source material as pretext for a quite different kind o...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Hunger Games”

  THE HUNGER GAMES:  Worth A Ticket – The Odds Are Mostly In Its Favor   Now that virtually every blockbuster movie opens in IMAX, going to an IMAX theatre at this time of year provides a de facto trailer festi...
by Mitch Salem
 

 
 

THE SKED’S SCHEDULE: ABC

  Mitch Metcalf and I, along with veteran network executive Ted Frank, have put together our own versions of the schedules (the real ones will be announced at the nework Upfronts in New York next week). We’ve posted ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY BROADWAY JOURNAL: “How To Succeed In Business Without Really Trying”

> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before.  (It’s not just general audiences, either–those roles...
by Mitch Salem
 

 
 

THE SKED SUNDAY SCRIPTED CABLE SCORECARD – 7/8/12

  The backlash to the Newsroom backlash backlash doesn’t seem to be hurting the show at all. HBO:  That sound you hear from the HBO boardroom is a sigh of relief:  THE NEWSROOM may or may not turn out to be Smash i...
by Mitch Salem
 

 

 

THE SKED REVIEW: “Saturday Night Live” with Edward Norton

  Edward Norton, a very fine actor who’s shown occasional comic chops, is the oddest choice to host SATURDAY NIGHT LIVE in recent memory.  It’s been a long, long time since he was anywhere near the forefront o...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’s Studio Summer Movie Guide: Warner Bros.

  In our week-long look at the box office prospects of the nearly-here summer movie season on a studio by studio basis, we’ve examined Sony and Universal.  Today our eye is on Warner Bros, typically one of the busie...
by Mitch Salem
 

 

 

SHOWBUZZDAILY THURSDAY NETWORK SCORECARD – 10.20.2016

  Let’s not do the time warp again. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience...
by Mitch Salem