STAR WARS: THE LAST JEDI (Lucasfilm/Disney) was expected to be gigantic, but not quite as huge as 2015’s The Force Awakens, which benefited from a decade of pent-up expectations.  That’s exactly where it’s heading, as preliminary numbers at Deadline have Friday at $100.4M, of which $45M is from Thursday night.  That opening day is […]

  BLACK PANTHER (Marvel/Disney) is now in competition only with the loftiest movie hits.  According to preliminary numbers at Deadline, its 2nd Friday was $28.4M (down 63% from last week), behind just The Avengers‘ $29.2M in the Marvel universe (down 64% from its own opening day), as well as The Force Awakens ($49.3M, down 58%) […]

  OPENINGS:  CHRISTOPHER ROBIN (Disney) led the newcomers with $25M (as is always the case with studio estimates that barely exceed a round number, that may decline in finals tomorrow), 16% better than Disney’s debut of Pete’s Dragon in August 2016.  However, the films had different trajectories, with Robin down 9% on Saturday, while Dragon […]

  OPENINGS:  HUNTER KILLER (Millenium/Summit Premiere/Lionsgate) had a weak $6.7M start, and probably won’t reach $20M in the US, not even enough to pay for the costs of its US release, and a low for a Gerard Butler action movie.  Its international campaign has a sluggish $4M so far, with $3.2M this weekend in 16 […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February, when we will switch to tracking the 2019 slates. BOX OFFICE. Looking at North American box office, 2019 […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -19% below last year’s comparable span (1 point worse than last week) and still -16% below the average for this point the past four years ($2.752 billion).  Over the same […]

  OPENINGS:  CRAWL (Paramount) may be an example of a studio outsmarting itself.  Paramount held no critics screenings, presumably because disdain was expected, and thus was unable to create any advance buzz around a response that turned out to be remarkably enthusiastic (88% on Rotten Tomatoes).  The result was a tepid $12M opening, and since […]

  OPENINGS:  MIDWAY (AGC/Bona/Lionsgate) was mildly ahead of expectations with $17.5M in the US, and it should perform well on Veterans Day Monday.  However, with around $150M in production and worldwide marketing costs, a $60M US total would leave it with a steep uphill climb to reach profitability.  Early overseas results weren’t particularly promising at […]