> For a new play, WAR HORSE has strong movie connections.  The play is adapted for the stage by Nick Stafford from the 1982 novel by Michael Morpurgo, and that novel is also the basis of Steven Spielberg’s upcoming film, which will be in theatres for Christmas (the script for which is by Lee Hall […]

> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predicting that his “whorishness” will make him more suited for a life in Hollywood than one in the finer precincts of the […]

> The Producers may have been both the best and worst thing ever to happen to Matthew Broderick.  He started his career in the mid-1980s as a fairly smooth, smart-aleck teen mouthpiece for Neil Simon in Brighton Beach Memoirs and John Hughes in Ferris Bueller’s Day Off, but over the succeeding years, his persona for […]

Even the acceptance speeches are classier on THE TONY AWARDS.  Tonight’s telecast featured a eloquent salute to “All those who say ‘Yes’” in the name of theatre from the lead producer of Best Play winner Clybourne Park, and a little later on, an anecdote from Best Musical winner Once‘s producer incorporating Harold Clurman and Constantin […]

> FOLLIES may be the strangest of all Broadway masterpieces; after 40 years, it’s still the most avant-garde work of Stephen Sondheim’s career. It’s easy enough to make the show sound linear:  set in 1971 (which was present-day when the musical was written), it takes place at a theatre that had, for some decades, housed […]

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicle for its lead actress, Nina Arianda, who’s currently giving about as dazzling a performance as you’re likely to […]

>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg’s movie may have been the sleekest entertainment of his career, a near-perfect piece of craft that boasted two great star performances from […]

> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before.  (It’s not just general audiences, either–those roles become instant favorites for Oscar nominations and wins.)  It can be as simple as Halle Berry, Julia Roberts or Nicole […]