> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predicting that his “whorishness” will make him more suited for a life in Hollywood than one in the finer precincts of the […]
> Although a great work of art is great forever, the relevance of a given piece to a current moment in time does tend to fluctuate. It turns out that Arthur Miller’s DEATH OF A SALESMAN, written 63 years ago, is so remarkably attuned to this here and now that despite its period setting, it […]
> As you see elsewhere on this page, ShowbuzzDaily isn’t just about movies. And since, as it happens, Your Faithful Correspondent is in New York for the week, we’ll have a few days of thoughts about some of the hot new shows on Broadway. For anyone who doesn’t already know, THE BOOK OF MORMON is […]
> Buzz has it that Jon Robin Baitz’s play OTHER DESERT CITIES is one of the frontrunners for this year’s Best Play Tony Award, and it’s easy to see why. (Let’s leave aside the fact that so few new plays open on Broadway these days, whatever manages to stay open for more than a couple […]
>Steven Spielberg week on Broadway continues: after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson). Spielberg’s movie may have been the sleekest entertainment of his career, a near-perfect piece of craft that boasted two great star performances from […]
> Haven’t all the jokes been made? In the history of Broadway, there may never have been a show as relentlessly ridiculed as SPIDER-MAN: TURN OFF THE DARK. At this point, it may be that the only interesting thing that could be said about the show would be if it weren’t as bad as you’d […]
> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before. (It’s not just general audiences, either–those roles become instant favorites for Oscar nominations and wins.) It can be as simple as Halle Berry, Julia Roberts or Nicole […]
> The Producers may have been both the best and worst thing ever to happen to Matthew Broderick. He started his career in the mid-1980s as a fairly smooth, smart-aleck teen mouthpiece for Neil Simon in Brighton Beach Memoirs and John Hughes in Ferris Bueller’s Day Off, but over the succeeding years, his persona for […]