> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served to let us know exactly where the third rail of current American popular culture is located.  It’s not every day that the august NY Times informs […]

    Airing on TCM March 24 and April 10:  See It On Any Screen.   The legacy of the late Elizabeth Taylor arises at least as much from her stature as one of the great, iconic Hollywood movie stars (and the prototypical tabloid goddess) as on the breadth of her acting skills.  But she […]

> Watch It At Home:  For Fans of Florescent Green Another summer weekend; another superhero epic.  What used to be an extravagant event genre is now hard-pressed to muster more than a yawn.  What is there to say about GREEN LANTERN?  Well, it’s better than January’s sophomoric Green Hornet, so at least it’s got color […]

  SARAH’S KEY – Watch It At Home:  Misses a Difficult Mark     There may be no cinematic minefield more dangerous for filmmakers than the Holocaust.  For films entering that difficult territory, the choices of tone, approach and imagery may not just be called into question, but outright offend audiences, and viewers have very […]

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which premiered tonight at the Toronto Film Festival.  Blessed with yet another superb lead performance by Michelle Williams, Polley’s film […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

> Saoirse Ronan stars in Joe Wright’s HANNA, opening April 8. See It On Any Screen Saoirse Ronan only appears in the first 50 minutes or so of Joe Wright’s film of the Ian McEwan novel ATONEMENT, playing the young Briony Tallis (after that, her character ages into Romola Garai, and then Vanessa Redgrave).  This […]