> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie.  Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]

    Airing on TCM March 24 and April 10:  See It On Any Screen.   The legacy of the late Elizabeth Taylor arises at least as much from her stature as one of the great, iconic Hollywood movie stars (and the prototypical tabloid goddess) as on the breadth of her acting skills.  But she […]

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMPART, which premiered at the Toronto Film Festival, Moverman is more ambitious and, unfortunately, a victim of the sophomore jinx. This […]

    Everything is a little smoother in 2002’s HARRY POTTER AND THE CHAMBER OF SECRETS.  The young actors give more assured performances; Steve Kloves’ script, having gotten so much exposition out of its way in Sorcerer’s Stone, is faster and more character-based; the camerawork (by Roger Pratt instead of John Seale) is more fluid; […]

  Watch it at home.   The deadliest weapon unleashed in BATTLE LOS ANGELES is its barrage of war-movie cliches. Stop me if you’ve heard this before, but there’s this rag-tag group of Marines, led by a hard-bitten veteran, that has to go into enemy territory to rescue some civilians before friendly forces bomb the […]

  The year’s Top 10 movies are here, and a variety of honorable mentions are here.  But now for something completely different… Along with the egg nog and tinsel, there’s a certain undeniable seasonal pleasure to be had in singling out the truly spectacular misses of the movie year for some shame and ridicule.  We […]

> Watch It At Home:  Morgan Spurlock’s latest doc is more stunt than revelation. If Michael Moore were a movie franchise, Morgan Spurlock would be the direct-to-video entry in the series.  Or maybe the one that adds cheesy 3D effects to squeeze out every last dollar.   Moore is, lord knows, self-aggrandizing and fond of the […]

  COLOMBIANA – Not Even For Free:  Even the Body Count Is Dull   For a movie from the Luc Besson House of Action, COLOMBIANA is surprisingly listless and dispirited.  Besson first came to prominence as a director, with pictures like Subway and The Big Blue to his credit; then in 1990, he hit the […]