MONTE CARLO:  Watch It At Home – The Usual Tourist Stops   Beware the credit “Screen Story by.”  It means that whatever the original source material for a movie may have been, it’s essentially been abandoned, looted for a single story element that’s now attached to an entirely different script.  In the case of […]

    THE THING:  Watch It At Home – Not Interesting Enough To Be Scary   The third movie iteration of THE THING is as impersonal as the creature it’s about.  This version, the first feature directed by Matthijs van Heijningen Jr and with a script credited to Eric Heisserer (he wrote the remake of […]

> The magically moving portraits are pulled off the walls of Hogwarts in 2007’s HARRY POTTER AND THE ORDER OF THE PHOENIX, and the colors have started draining from the Potter universe.  Gone are the lush visuals of Prisoner of Azkaban and Goblet of Fire; the palette of Slawomir Idziak’s photography (his films include Kieslowski’s […]

> Amid multiplying online reports, spearheaded by New York Magazine’s Vulture site, that Paramount’s SUPER 8 is tracking for a very soft opening this weekend at the box-office, the studio has decided to launch a “secret” (by which I mean “highly publicized“) pre-opening day:  the movie will now screen on Thursday in about 325 theaters […]

  As Alex in A Clockwork Orange would say, this is the real and like tragic part of the story beginning, O my brothers.  After Batman Returns undergrossed Batman by $90M in the US, Warners, you might say, freaked out.  Although everyone was careful to agree that Tim Burton and the studio had mutually parted […]

  A DANGEROUS METHOD:  Watch It At Home – A Visit to Dr. Cronenberg’s Clinic   Throughout his career, David Cronenberg has been fascinated by twin compulsions:  the aberrant and the repressive.  The former was at the forefront of what are still his most celebrated films a quarter-century later, squishy biological horror movies like Videodrome […]

    JACK AND JILL:  Not At Any Price – 2 Adam Sandlers is 2 Too Many   Does anyone really expect an Adam Sandler movie to be good anymore?  Seriously, if you put aside his occasional relatively serious efforts (Funny People, Reign Over Me, Spanglish, Punch-Drunk Love, all boxoffice failures), and the occasional passable […]

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young people from small towns who come of age on the road, so Hick has a little air of distinction here. […]