>Those interested in the disconnect between old-line film critics and audiences need look no farther than “In Defense of the Slow and the Boring,” a column in today’s NY Times. In it, chief Times critics Manohla Dargis and A. O. Scott each write about the worth of films some find unduly slow-paced, like The Tree […]
> Watch It At Home: Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be. The premise is certainly arresting: Shawn Ku’s first film (written with Michael Armbruster) tells the story of the aftermath of a school massacre, from the viewpoint of the parents of the teen who shot down […]
> Reviews of some of the more prominent movies in theatres right now: X-MEN: FIRST CLASS MIDNIGHT IN PARIS THE HANGOVER PART II KUNG FU PANDA 2 THE TREE OF LIFE
> Worth A Ticket: Superheroes Behind the Camera, Too. The most substantial movie of the summer so far is, depending on how you calculate, the fifth in a comic book series, a prequel or a reboot. X-MEN: FIRST CLASS arrives with its own secret weapons, namely a smart script, a well-chosen cast, some genuine thematic […]
> For everyone journeying to the multiplex this long weekend, some reviews to click on: THE TREE OF LIFE: An often stupendous achievement that courts ridicule–and sometimes earns it. THE HANGOVER PART II: It wasn’t broke, they didn’t fix it. KUNG FU PANDA 2: This franchise has been working out. MIDNIGHT IN PARIS: A tasty […]
> Worth A Ticket; An often stupendous achievement that courts ridicule–and sometimes earns it. Terrence Malick’s THE TREE OF LIFE is at once the filmmaker’s most emotionally grounded and dizzyingly ambitious film, his most relatable and esoteric piece of work. In a sense it’s the definitive Malick film, the one that explores his chosen themes […]
> Worth A Ticket; This franchise has been working out. Over the past few years, DreamWorks Animation has been emerging a bit from its place as the jokey, insubstantial sidekick to Pixar’s superhero studio. How To Train Your Dragon was a thoroughly enjoyable surprise, and even though Megamind had its share of pop culture parody, […]
> Worth a Ticket; It Wasn’t Broke, They Didn’t Fix It In Hollywood, the word “sequel” is often code for “remake.” This isn’t news: the James Bond series has been going on for almost 50 years, and allowing for the occasional change in cast and some fluctuation in quality, it’s pretty much been the same […]