>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MARCH THE INCIDENT INTO THE ABYSS MONEYBALL THE MOTH DIARIES PEACE, LOVE AND MISUNDERSTANDING THE RAID RAMPART RESTLESS SALMON FISHING IN […]

  CHRONICLE – Worth A Ticket –  “Found Footage” That Deserves to Be Found   Over the past decade, audience hunger for “reality”–the word very much in quotation marks–has engulfed much of popular cultture, from YouTube videos to self-produced songs, from tweets to television series and even cable networks built around people playing manipulated versions […]

> It stood to reason that if anyone was going to figure out how to effectively convert standard 35mm to 3D, it would be James Cameron. Cameron, whose Avatar is singlehandedly responsible for creating the current 3D frenzy, has spent more than a year and $18M to go back 15 years and transfer his 1997 […]

> Not Even For Free It was a feel-good story last weekend when the expensive shambles called Sucker Punch went down, defeated by the relatively low-budget family comedy DIARY OF A WIMPY KID:  RODRICK RULES.  (Mitch Metcalf’s weekend boxoffice roundup is here.)  The story would have been better, though, if Wimpy 2 were any good. […]

> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie.  Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]

    FRIGHT NIGHT – Watch It At Home:  At Least Farrell Had Fun   The new remake of Tom Holland’s 1985 FRIGHT NIGHT has a great set of credentials.  Craig Gillespie, the director, was behind the well-regarded indie Lars and the Real Girl, and has since been house director of United States of Tara […]

  THE ADVENTURES OF TINTIN:  Worth A Ticket – The Return of Steven Spielberg   Remember how lousy the last Indiana Jones movie was?  Remember watching it and wondering sadly what had become of Steven Spielberg, the magician who for decades had an irresistible, inexhaustible ability to spin action sequences into sight gags into satisfying […]

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]