ANOTHER EARTH – Worth A Ticket:  Tiny Story With Big Ambitions   For ANOTHER EARTH, the Sundance Film Festival went exactly the way it’s supposed to.  The low-key picture was made on a miniscule budget (a few hundred thousand dollars) by complete unknowns, director/cinematographer/editor/co-writer/co-producer Mike Cahill and star/co-writer/co-producer Brit Marling, with far less […]

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counterfeiters are the most recent undistinguished winners).  This year’s winner, Susanne Bier’s IN A BETTER WORLD, […]

  SARAH’S KEY – Watch It At Home:  Misses a Difficult Mark     There may be no cinematic minefield more dangerous for filmmakers than the Holocaust.  For films entering that difficult territory, the choices of tone, approach and imagery may not just be called into question, but outright offend audiences, and viewers have very […]

> Watch It At Home; A circus story that’s not the greatest show in the multiplex. Sometimes even a small moment in a movie can typify how it’s gone wrong.  There’s a scene fairly early in WATER FOR ELEPHANTS–it’s not a major plot point, for those wary of spoilers–where an animal loved by the circus […]

  Worth a ticket.   Tom McCarthy has been carving a modest but very impressive niche for himself in the indie film universe. His films The Station Agent and The Visitor were both superbly written and performed, and he takes a small step toward the commercial mainstream with the new WIN WIN. Paul Giamatti stars […]

> Worth A Ticket. Of all the “Friends” who kept America company in its collective living room for a decade, David Schwimmer has taken the most concerted step away from the work that made him famous.  While Courtney Cox, Matthew Perry, Matt LeBlanc and Lisa Kudrow have mostly continued in TV comedy, and Jennifer Aniston’s […]

> Not Even For Free It was a feel-good story last weekend when the expensive shambles called Sucker Punch went down, defeated by the relatively low-budget family comedy DIARY OF A WIMPY KID:  RODRICK RULES.  (Mitch Metcalf’s weekend boxoffice roundup is here.)  The story would have been better, though, if Wimpy 2 were any good. […]

  It’s been 23 years since the pre-Christopher Nolan version of the Batman franchise launched into the boxoffice stratosphere, and a lot has changed in the movie landscape.  (1989 is so long ago that it was a topical gag in the movie to cast Gotham City’s Mayor with an actor who looked like New York’s […]