HAPPY FEET TWO:  Watch It At Home – Not So Happy This Time   Most sequels, by and large, exist only because an earlier movie made lots of money–that’s just a fact.  But sequels often at least try to find some justification beyond that, even if it’s only a commitment to do the same […]

  FOOTLOOSE:  Watch It At Home – Faithfully Reproduces the Original For Good and Bad   1980s week at the multiplex continues with a remake of FOOTLOOSE, a trip back to the territory of Herbert Ross’s 1984 hit.  (Financially, by the way, there was no contest between the 1980s versions of this weekend’s entries:  the […]

  COWBOYS & ALIENS – Watch It At Home:  Genre Mash-Up Zaps Itself In the Foot   It’s admirable, in a way, that for much of its length, COWBOYS AND ALIENS is willing to be more of a western than a scifi extravaganza, even though scifi is a safer commercial bet.  The problem is that […]

  THE SITTER:  Not At Any Price – Adventures In Bad Moviemaking   Jonah Hill is awfully lucky to have made Moneyball this year.  In that film, fueled by a brilliant Aaron Sorkin/Steven Zaillain script, he gave a marvelous performance as half of the year’s most unlikely comedy team with Brad Pitt, but since then […]

> Watch It At Home. Were the executives at Warner Bros so desperate to be in business with Russell Brand that they huddled together in a conference room one day, frantically going through their library titles in search of alcoholic lead roles he could play?  (“Days of Wine and Roses… a little dark.  Clean and […]

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downright rude to criticize Robert Redford’s new film THE CONSPIRATOR for sticking to the facts.  Accuracy and drama, however, are […]

    OUR IDIOT BROTHER – Watch It At Home:  Sitcom On A Big Screen   Although it premiered at Sundance, OUR IDIOT BROTHER was an “independent film” only in a technical sense:  it was produced on a relatively low budget and didn’t have US distribution in place.  (Harvey Weinstein picked it up at the […]

  A DANGEROUS METHOD:  Watch It At Home – A Visit to Dr. Cronenberg’s Clinic   Throughout his career, David Cronenberg has been fascinated by twin compulsions:  the aberrant and the repressive.  The former was at the forefront of what are still his most celebrated films a quarter-century later, squishy biological horror movies like Videodrome […]