HAPPY FEET TWO:  Watch It At Home – Not So Happy This Time   Most sequels, by and large, exist only because an earlier movie made lots of money–that’s just a fact.  But sequels often at least try to find some justification beyond that, even if it’s only a commitment to do the same […]

> Not Even For Free It was a feel-good story last weekend when the expensive shambles called Sucker Punch went down, defeated by the relatively low-budget family comedy DIARY OF A WIMPY KID:  RODRICK RULES.  (Mitch Metcalf’s weekend boxoffice roundup is here.)  The story would have been better, though, if Wimpy 2 were any good. […]

> Worth A Ticket:  Superheroes Behind the Camera, Too. The most substantial movie of the summer so far is, depending on how you calculate, the fifth in a comic book series, a prequel or a reboot.  X-MEN:  FIRST CLASS arrives with its own secret weapons, namely a smart script, a well-chosen cast, some genuine thematic […]

> Although Fox Searchlight didn’t actually acquire Steve McQueen’s film Shame until last Saturday, in a sense the marketing campaign for the film began when the producers made it clear that the film would not be edited for US release, and would be distributed with an NC-17 rating. This quickly became the most memorable fact […]

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counterfeiters are the most recent undistinguished winners).  This year’s winner, Susanne Bier’s IN A BETTER WORLD, […]

  MACHINE GUN PREACHER:  Watch It At Home –  A True Story Rings False   MACHINE GUN PREACHER simply isn’t good enough for the story it wants to tell. And the story, a true one, is remarkable:  Sam Childers (played by Gerard Butler in the film) was a drug addict and violent criminal who found […]

  THE GIRL WITH THE DRAGON TATTOO:  Worth A Ticket – David Fincher Meets Lisbeth Salander   The most remarkable thing about David Fincher’s version of THE GIRL WITH THE DRAGON TATTOO (written for the English-language screen by Steven Zaillian) is that while remaining, for the most part, scrupulously faithful to the best-selling novel by […]

>   Not At Any Price:  Phony As A 3-Dollar Bill THE ART OF GETTING BY (then called “Homework”) stood out at Sundance like an unsore thumb.  In the midst of high-quality, serious films that were at least trying to be about something (several of which will be opening later this summer), Art Of Getting […]