> Worth A Ticket; A tasty croissant from Woody Allen. Woody Allen interrupts the opening credits of his new comedy MIDNIGHT IN PARIS to insert a montage of lovely Paris locations.  I mention this because after more than 40 years and as many films, the rules of Woody-land seem as fixed and immutable as the […]

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]

  It’s been 23 years since the pre-Christopher Nolan version of the Batman franchise launched into the boxoffice stratosphere, and a lot has changed in the movie landscape.  (1989 is so long ago that it was a topical gag in the movie to cast Gotham City’s Mayor with an actor who looked like New York’s […]

> Worth a Ticket. HANNA may be the first movie not based on a graphic novel to feel like it is.  Written by Seth Lochhead and David Farr (the first film for both) and directed by Joe Wright, it has the feel of a film conceived in visual rather than dramatic terms, more concerned with […]

> Worth A Ticket; Birds Fly High Enough for Kids, and Adults Too. Click For More Reviews: THOR    PIRATES OF THE CARIBBEAN 4    MIDNIGHT IN PARIS Animation has, over the past decade, passed beyond being merely a movie genre to a veritable industry within the industry.  Every studio is in the business now, making films […]

> Watch It At Home People complain that Hollywood doesn’t take risks, but Universal went and hired the director of Alvin and the Chipmunks to make a movie about a musical-minded, free-spirit digitally animated character who upturns the life of an ordinary guy… talk about pushing the envelope!  (In fairness, Alvin was a chipmunk singer, […]

> The magically moving portraits are pulled off the walls of Hogwarts in 2007’s HARRY POTTER AND THE ORDER OF THE PHOENIX, and the colors have started draining from the Potter universe.  Gone are the lush visuals of Prisoner of Azkaban and Goblet of Fire; the palette of Slawomir Idziak’s photography (his films include Kieslowski’s […]

> Tonight at 43 real Imax theatres (the ones with the huge squarish screens), Warner Bros debuted an extended trailer for next summer’s THE DARK KNIGHT RISES shot in the full Imax format, consisting of the opening sequence and an extra minute or so of quick clips from the rest of the movie.  Apart from […]