The year’s Top 10 movies are here, and a variety of honorable mentions are here. But now for something completely different… Along with the egg nog and tinsel, there’s a certain undeniable seasonal pleasure to be had in singling out the truly spectacular misses of the movie year for some shame and ridicule. We […]
> Worth a Ticket: A funny, moving story about navigating the twists of life. Mike Mills’ BEGINNERS is about the fumble for love, the wrong turns and mistakes that can delay–although luckily not always prevent–true happiness. Mills has said that this story is semiautobiographical: like his protagonist Oliver (Ewan McGregor), Mills learned after the […]
> Watch It At Home; A circus story that’s not the greatest show in the multiplex. Sometimes even a small moment in a movie can typify how it’s gone wrong. There’s a scene fairly early in WATER FOR ELEPHANTS–it’s not a major plot point, for those wary of spoilers–where an animal loved by the circus […]
> Worth A Ticket; A tasty croissant from Woody Allen. Woody Allen interrupts the opening credits of his new comedy MIDNIGHT IN PARIS to insert a montage of lovely Paris locations. I mention this because after more than 40 years and as many films, the rules of Woody-land seem as fixed and immutable as the […]
> Worth A Ticket: A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season. It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]
It’s been 23 years since the pre-Christopher Nolan version of the Batman franchise launched into the boxoffice stratosphere, and a lot has changed in the movie landscape. (1989 is so long ago that it was a topical gag in the movie to cast Gotham City’s Mayor with an actor who looked like New York’s […]
> One of the most heartening developments of the past couple of years has been the spreading popularity in theaters of cultural events presented in HD video. Operas and ballets have become monthly features in many cities, and stage shows are now joining in: Britain’s National Theatre has been presenting several productions on screen for […]
> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization and a slightly more varied tone. But the framework already exists for a solid action hit. The picture begins as a variant […]