SHORT TERM 12:  Run To the Multiplex – Powerful and Moving Indie Drama How can I make you want to see SHORT TERM 12?  It’s one of the year’s best pictures, but I feel as though describing the plot and setting will make it sound like a collection of the preachiest kind of pat […]

  THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all here, crammed into 130 minutes of screen time–Twilight and Harry Potter and Buffy and True Blood and even […]

  THE BUTLER:  Worth A Ticket – Superb Acting Elevates A History Lesson THE BUTLER, in its form and earnestness, recalls the days of prestige TV movies and miniseries that used to be associated with the Hallmark Hall of Fame and network sweeps periods (and which now exist only as a vestige on pay-cable, mostly […]

  2 GUNS:  Watch It At Home – Mindless Movie Action, The Old-Fashioned Way In this endless CG demo reel of a summer, the old-time, human-scaled mayhem of 2 GUNS is downright charming.  The idea of an action movie substituting a pair of charismatic stars and some analog shootouts for cities being pulverized in Imax […]

  THE WOLVERINE:  Watch It At Home – The Clawed Superhero’s Latest is Distinctive But Unthrilling THE WOLVERINE, wanting to be both more and less than a typical superhero spectacle, demonstrates the perils of messing with the formula.  James Mangold’s film, with a script credited to Mark Bomback and Scott Frank, has the worthy aim […]

  BLUE JASMINE:  Worth A Ticket – Cate Blanchett Is Dazzling in Woody Allen’s Latest Woody Allen has made so many movies at such regular intervals, and they’re so thematically linked, that it’s tempting to view his work as one gigantic serial, a by-now 60-hours-plus epic of disappointments in life and love, artistic fantasy, moral […]

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes documentary-like reality.  Director William Friedkin moved the film at a measured, even slow pace, only gradually raising […]

  R.I.P.D.:  Not Even For Free – No Life After Death For This One Ryan Reynolds plays a dead man in the new R.I.P.D., and thus it makes sense that his character would be frustrated and depressed for much of its length, but watching him, you almost feel like his glumness is a message to […]