As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]

THAT’S MY BOY:  Not Even For Free – Low-Rent Even For Sandler   THAT’S MY BOY is 116 minutes long.  I mention that up front because, for those of us who consider time spent watching Adam Sandler movies to be akin to a prison term, there’s a constitutional right of due process to let you […]

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which premiered tonight at the Toronto Film Festival.  Blessed with yet another superb lead performance by Michelle Williams, Polley’s film […]

>Two Australian couples vacation together on the beaches of Cambodia, but only 3 people return. That’s the set-up for Kieran Darcy-Smith’s skilled debut WISH YOU WERE HERE, which premiered as part of Sundance’s World Cinema competition.The focal point of the story is the more settled, middle-class couple on the trip: Dave (Joel Edgerton) and Alice […]

  THE AMAZING SPIDER-MAN 2:  Watch It At Home – The Webs Aren’t Very Tight This Time The huge, lumbering pieces of THE AMAZING SPIDER-MAN 2 rarely succeed in fitting together.  It’s as though the studio and filmmakers–director Marc Webb and screenwriters Alex Kurtzman, Roberto Orci and Jeff Pinkner (plus co-story writer James Vanderbilt)–started with […]

      WANDERLUST:  Watch It At Home – Hippy Jokes Thawed Out From 1966   The new WANDERLUST demonstrates the strengths and limitations of amiability in movies.  Its stars, Jennifer Aniston and Paul Rudd, have made very profitable careers out of being professionally likable.  Unlike, say, Tom Hanks, who also began his career in […]

  NOAH:  Worth A Ticket –The Word According to Darren Aronofsky When Darren Aronofsky decided to follow Black Swan, the biggest hit of his career, with the story of Noah and the Ark, it seemed like a perverse choice.  Traditionally, the big-budget biblical epic has been among the blandest and most conservative of Hollywood genres, […]

  THE FAULT IN OUR STARS:  Worth A Ticket – John Green’s Beloved Book Is Well Treated By the Screen It’s almost impossible to describe the plot of John Green’s YA novel THE FAULT IN OUR STARS without making it sounding precious and shamelessly sentimental.  Erich Segal’s Love Story, the giant hit and instant self-parody […]