BLUE JASMINE:  Worth A Ticket – Cate Blanchett Is Dazzling in Woody Allen’s Latest Woody Allen has made so many movies at such regular intervals, and they’re so thematically linked, that it’s tempting to view his work as one gigantic serial, a by-now 60-hours-plus epic of disappointments in life and love, artistic fantasy, moral […]

  A GOOD DAY TO DIE HARD:  Not Even For Free – Yippee-Ki-Boo As part of its promotion campaign for the new A GOOD DAY TO DIE HARD, 20th Century Fox is holding a day-long series of Die Hard marathons around the country, culminating in the opening night screening of the latest chapter in the […]

    BEING FLYNN:  Watch It At Home – Troubling Story That Doesn’t Go Deep Enough   There’s a scene in Paul Weitz’s new film BEING FLYNN where Jonathan Flynn (Robert DeNiro), the alcoholic, narcissistic, pitiful, self-destructive father of Nick (Paul Dano), reads to his son from a publisher’s rejection letter.  Jonathan sees himself as […]

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the meaning that “an Alfred Hitchcock movie” used to have; David Fincher’s name doesn’t promise the same kind of specific entertainment that John Ford’s once did.  […]

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photographs what’s going on while he’s on the beat, supposedly to generate footage for a documentary he wants to put […]

  BLACKHAT:  Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects.  His new, seemingly up-to-the-minute computer hacking thriller BLACKHAT, following his problematic Miami Vice film and Public Enemies (as well as the pilot for HBO’s Luck) is once again his trademark kind […]

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a low-key drama based (apparently rather closely) on a true story without any hacked-off limbs or hint of the supernatural. In […]

  OUT OF THE FURNACE:  Watch It At Home – Dark Thriller Is Less Weighty Than It Thinks A great deal of heart and effort has gone into OUT OF THE FURNACE, and it’s disappointing to see the film resolve itself into little more than a fairly routine revenge melodrama, even though director Scott Cooper […]