2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the calendar, not a single one of the Top 10 below opened before July, and only 3 before […]

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but there’s been a certain fascination about it since it was announced that the lead role would […]

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost hundreds of millions of dollars, be crammed with CG-generated spectacle, and still have room for an […]

  OUT OF THE FURNACE:  Watch It At Home – Dark Thriller Is Less Weighty Than It Thinks A great deal of heart and effort has gone into OUT OF THE FURNACE, and it’s disappointing to see the film resolve itself into little more than a fairly routine revenge melodrama, even though director Scott Cooper […]

  BLENDED:  Not Even For Free – A Bad Sitcom Episode, 4 Times As Long On the Adam Sandler Movie Pain-o-Meter (patent pending), the new BLENDED ranks about midway between the not-so-bad Just Go With It and the soul-crushing horror of That’s My Dad and Jack & Jill.  It’s Sandler wearing his sentimental, romantic hat, […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  DELIVERY MAN:  Not Even For Free – Vince Vaughn Tries Wholesomeness DELIVERY MAN, alas, is Vince Vaughn’s Patch Adams.  Vaughn’s desire to try something new is understandable:  he’s in his mid-40s now, and his rat-a-tat schemer schtick has been running thin lately (his last real hit was Couples Retreat in 2009); at this rate, […]

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisionist fairy tale, specifically one that casts a sympathetic, proto-feminist eye on an iconic evil sorceress.  But it’s also […]