CLOUDS OF SILS MARIA (IFC):  no release date scheduled – Watch It At Home Olivier Assayas is a dazzlingly ambitious filmmaker, determined to do something totally different with each project he undertakes.  The results range from the spectacular (Carlos) to the tone-deaf (Demonlover), with his new CLOUDS OF SILS MARIA, which premiered at Cannes […]

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Pacino and Greta Gerwig and some memorable moments of dark comedy, isn’t a major film either. The script by Buck Henry and Michal […]

  THE JUDGE (Warners) – Opens October 10 – Watch It At Home Since the first Iron Man opened, Robert Downey Jr. has been one of the world’s biggest (and wealthiest) stars.  But he hasn’t used his superpowers for good:  in the 6 years that have followed, he’s interspersed Tony Stark extravaganzas only with entries […]

  Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork:  Check. Small-town dysfunctional family (alcoholic/grief-stricken division):  Check. Third act sparked by violence:  Check. Rebellious yet sensitive and misunderstood young protagonist:  Check. Commercially successful […]

  For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here.   What kind of filmmaker does Mona Fastvold want to be?  It’s an existential question that comes up often at Sundance, where artistic and industry cred are often judged at the same time.  THE SLEEPWALKER, Fastvold’s first film as director and (with Brady Corbet, […]

  Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET.  Based on a novel by Pete Dexter, it marked the feature directing debut of the actor John Slattery, whose work behind the camera on Mad Men has produced some of the […]

  The post-apocalyptic sci-fi western, which once must have seemed revolutionary and innovative, is now (it dates back at least to 1975’s A Boy and His Dog) an established subgenre.  Jake Paltrow’s entry into the field, YOUNG ONES, was roundly panned at Sundance, possibly because of that familiarity, but it’s a reasonably ambitious and quite […]

  The Dramatic Competition at Sundance this year featured a pair of films that were largely built on duologues between two strong protagonists.  Attention was mostly–and properly–focused on Whiplash, which ended up winning both of the Festival’s top prizes, but Peter Sattler’s CAMP X-RAY is also worthy of some note. Camp X-Ray is set at […]